Invitation to ‘Boatanicals’ Celebration at Princess Pavilion this Sunday 19 March at 1pm

The Big Draw ‘Boatanicals’ is now in place at Princess Pavilions for all to see. Those who took part include; Penryn College, Constantine Primary School, Marlborough School, Falmouth Primary School , Falmouth Young Women’s Group, Foundation Diploma in Art & Design students, BA(Hons) Illustration students, postgraduate students, Make and Take Community workshops and the general public. Contributors ranged from 2 years to 80+, and there are around 300 flowers and boats or hybrids of the two.  Weather permitting (no persistent gales we hope) the installation will be up for a month. There will be a celebratory gathering this Sunday 19 March between 1 & 2 pm, and at 2pm there will be a press photo shoot.  This ‘planting out’ celebration coincides with the Falmouth Spring Flower Show, which is held at the Princess Pavilion this weekend, 18-19 March.

This project has been really successful, thanks to a committed team of Foundation Staff including Tilly McKerrow, Emelia Wharfe, Sarah Hayes and Jane Chetwynd, plus some keen students from both the Foundation Diploma in Art and Design and MA programmes.

A Facebook page has been set up for ‘Boatanicals’ which will include updates and more information about the project: https://www.facebook.com/The-Big-Draw-Falmouth-1871001206500975/?ref=aymt_homepage_panel

Cafe Morte – The Tears of Things – exhibition and events

This weekend sees the opening of Cafe Morte’s The Tears of Things at the Exchange Gallery, Penzance

A growing collection of broken objects, to initiate conversation around the emotional value and attachment we have to something that is broken in our lives. The collection will form the beginning of a growing body of research relating to death and loss. The show includes work from current Falmouth BA(Hons) Fine Art students, alumni, and lecturers, as well as other established writers and artists. As well as work artists from the UK, the exhibition features submissions from artists from Cyprus, Tunisia, USA, Poland and Spain.

cafe-morte-the-tears-of-objects

CAFE MORTE: THE TEARS OF THINGS | 11Feb – 18 March 2017 | THE EXCHANGE – PENZANCE

OPENING EVENT FRIDAY 10TH FEBRUARY, 7pm – 9pm, ENGINE ROOM: EXCHANGE GALLERY PENZANCE  Join us for an evening of performance, video, objects, narrative and stories generated by Café Morte to celebrate the life of a broken object.

EVENT: SATURDAY 11TH 10.00 – 4.00 BROKEN WRITING OPEN INVITATION  Members of the public are invited to participate by bringing a broken object to the gallery to be documented photographically and to write a short piece of text that will be added to the collection. The collection will form an online museum of broken objects reflecting the power that these objects still hold.

Two BA(Hons) Fine Art alumni, Polly Maxwell and Lulu Richards Cottell will be returning to install and help curate the show, and as part of their visit will also be talking to current Fine Art students about their experiences since graduating last year.

Café Morte is a research group led by Falmouth Fine Art Senior Lecturers Mercedes Kemp and Lucy Willow, involving undergraduate and postgraduate students from Falmouth University, along with other artists and curators. Its central focus is to create projects that enable audiences to discuss the rich and varied themes of death found in art and literature. This is an adaption of the recently popular model of the ‘Death Café’, which has arisen worldwide as a meeting place in which to discuss death over a cup of tea.

Café Morte provides Falmouth students with the opportunity to research and make work around a focused theme. It enhances their research capability and enables them to experience the setting up and curating of a show, work collaboratively, experience working directly with audiences and networking with established artists. Each year, Café Morte welcomes a number of new students, and continues working with alumni.

The group started three years ago, working with BA(Hons) Fine Art students at Falmouth to develop research and ideas. The second year culminated in an exhibition at the university, curated by students and showing student work alongside that of established artists. The exhibition coincided with a Symposium by Moth, a research group concerning death and design run by colleagues in Graphic Design.

The Tears of Things exhibition follows a public testing of the project at The Exchange last December.

Crafting the Cathedral – BA(Hons) Contemporary Crafts Exhibition

 

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‘Crafting the Cathedral’ brings together for exhibition contemporary craft artefacts, created and designed as a personal response to Truro Cathedral by invited third year students from Falmouth’s BA(Hons) Contemporary Crafts course.

The responses to Truro Cathedral – its stunning architecture, history and purpose as a place of worship – has led to an engaging mix of small and large-scale art works.

BA(Hons) Contemporary Crafts has long worked closely with a range of external partners, exploring new ways of engaging audiences with objects and places.

‘It’s been a really important, demanding, yet rewarding challenge to create interpretive objects that live up to the building, the people and items that live there’, says Jason Cleverly, Senior Lecturer on the course. ‘Many of the Cathedral’s artefacts carry great metaphorical power and some fascinating and unusual stories – we hope you will enjoy the students’ responses to the building’.

crafting-the-cathedral-posterTruro Cathedral is keen to provide opportunities for students to creatively explore the building, its artefacts and how it is connected to the wider community.

Kirsten Gordon, Education & Schools Officer, commented, ‘We have found the students’ approach to their brief to be interesting and incredibly varied, demonstrating technical skill and creativity. It is a valuable experience for us to see with fresh eyes the many different facets of cathedral life which speak on so many more levels than we perhaps see at first glance’.

Lizzie Arthur, Truro Cathedral’s Education and Interpretation Officer and graduate of the Contemporary Crafts course added, ‘We hope that our visitors enjoy the students’ personal responses to Truro Cathedral. Such exhibitions challenge the audience to look more closely at the familiar, inspiring both the cathedral community and our visitors’.

Crafting The Cathedral is on at Truro Cathedral, 2-16 February (Monday-Saturday 10-15, Sunday 12-4) Entry is free.

GAFA, China/Falmouth University International Collaboration

Lucy邀请函电子版RGBMy visit to China this time was a little different. I was invited to participate in a 3-week international teaching and artist residency collaborative project between Falmouth University and the International Art Program (AIP) at the Guangzhou Academy of Fine Art (GAFA), South China. (Funded by Falmouth University and GAFA)

In partnership with Fanfan Yang, a dynamic young designer, fine artist and teacher on AIP we devised a short 3-week course for 2nd year students. This involved asking students to select a group of objects that had meaning to them (no mobile phones allowed) and getting them to abstract a number of different ideas and outcomes from one starting point. We taught the students what it meant to ‘abstract’ starting points from looking at selected objects in new ways. The students participated in a number of drawing games and took their one theme through a number of outcomes in sculpture, painting and fashion design. We encouraged continual reflection and sketchbook work.

As well as teaching  I focused on developing a new body of work for a solo exhibition in the schools gallery space; a vibrant and trendy contemporary art gallery in the Redtory district of Guangzhou. The ‘Redtory’ area consists of wonderful old soviet style red brick factories that have architecturally designed and converted into studio spaces, galleries and cafes.

The gallery space  enabled me to develop a new body of work based on drawings and research started earlier in the year whilst in Iceland. The environment couldn’t be more different, yet within the dust and ruins similar themes emerge. For this exhibition and residency I have drawn directly onto the gallery walls, made a short animation and soundscape using sound sampled from the NASA website. And there is dust, a lot of it collected from a demolition site nearby. Piles of dust and debris are common in China making it in some ways a perfect location to show the kind of transient ephemeral work that I make. The Chinese easily relate to the themes within my work as they live amongst transitory ruins all the time. Old China is disappearing at an alarming rate. I have created an environment that reflects the feeling of a pause, and ‘interlude’. It is left open and ambiguous.

Processed with Rookie Cam

Processed with Rookie Cam

This is my 5th visit to AIP GAFA in South China. I have been working with the AIP students since 2013 running portfolio workshops and interviewing for a range of courses at Falmouth University. The students spend 3 years learning English intensively alongside an art foundation program. It is a progressive and experimental course enabling the students to study creative subjects at university in the UK. It is a relaxed and messy environment; unlike the traditional Chinese art education they would otherwise receive. The students are a delight. They are eager to take on new ideas and concepts, which must be challenging given the fact that their education prior to this has been entirely traditional. I am surprised and enjoy the pace in which they have embraced it.

I have particularly enjoyed conversations with the artists and teachers here. Positive working relationships have been formed paving way for future international collaborative projects to take place between staff at Falmouth University and AIP GAFA. Despite the huge cultural differences it is interesting to explore common ground. The academics were particularly interested in how Chinese fine art influences could be interpreted from a contemporary Western perspective.

Whilst there I immersed myself fully in the cultural experience. I was lucky enough to be invited by Fanfan’s family ‘tomb sweeping’ a public holiday for remembering one’s ancestors. This consisted of thousands of families attending the cemetery at the same time, lighting firecrackers to scare away any unwanted ghosts and burning a lot of paper money and gold for the dead relative. It was a fascinating yet rather smoky and noisy affair! I was also taken to a Cantonese opera by one of the student’s families- another unforgettable experience. I find the Chinese people kind and gracious. They are willing to go out of their way to make sure you experience the best of their culture- which I most definitely have.

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Falmouth School of Art Lectures – Spring 2016 schedule announced

Following  a vibrant, varied, and well attended autumn season of lectures, from Sam Thorne, Simon Fujiwara, Elly Thomas, Hew Locke, Gavin Turk, Krijn de Koning and Conrad Shawcross, The Falmouth School of Art is pleased to present forthcoming events for spring and summer 2016…

Flash in the Metropolitan 2007, 16mm film still, © Nashashibi/Skaer

Flash in the Metropolitan 2007, 16mm film still, © Nashashibi/Skaer

The series re-starts on 3 February 2016, with Lucy Skaer and Rosalind Nashashibi, who collaborate as Nashashibi/Skaer. The event is a Tate Talk, in association with Tate St. Ives, with whom Nashashibi/Skaer are currently curating an exhibition which will feature a series of collaboratively made short films.

On 10 February Michael Salu will talk about his practice as an award-winning creative director, writer, art editor/critic and occasional artist. Salu is formerly creative director and art editor of Granta Publications.

Graham Gussin continues the series on 17 February; an artist who uses a wide range of media, including texts, drawings, film, video, sound and installation, to explore the perception of time, space and scale as an organic link between the pieces, the viewer and the exhibition space.

Yiadom-Boakye, No Patience for Juju, 2015, Oil on Canvas, 200 x 130 x 3.7cm, 78.7 x 51.2 x 1.5 inches Courtesy: Corvi-Mora, London, and Jack Shainman Gallery, New York. 

Yiadom-Boakye, No Patience for Juju, 2015, Oil on Canvas, 200 x 130 x 3.7cm, 78.7 x 51.2 x 1.5 inches
Courtesy: Corvi-Mora, London, and Jack Shainman Gallery, New York.

 

We welcome artist Lindsay Seers on 2 March, painter Lynette Yiadom-Boakye on 9 March, and filmmaker Ben Rivers on 16 March in association with The Cornwall Workshop and the School of Film and Television at Falmouth. The 2016 series concludes with a lecture on 18 May by Jessica Warboys. Yiadom-Boakye, Rivers and Warboys are all Falmouth alumni, and we look forward to welcoming them back to talk about their work, practice development and successes.

Events are all free, but booking required. Booking for all events is now open, and some tickets for each event are made available to our alumni and members of the public.

To book: http://falmouthschoolofart.eventbrite.com

 

 

Plasizmo – Exhibition at Back Lane West, Redruth

PLASIZMO is a collaborative contemporary art exhibition at Back Lane West, Redruth, created by two of our graduating students from BA(Hons) Fine Art.

Plasizmo

 

Rosie McGinn and Gareth Wilde were selected to participate in the Back Lane West residency programme in conjunction with the Falmouth School of Art. The one month residency has provided support, space and time for the artists to continue the development of their fine art practices on graduating.

Back Lane West is an artist-led residency, project and meeting space in Redruth, Cornwall. Its aims are to support and encourage critically engaged visual art practice and artists’ professional development, while contributing to the growth of a nationally and internationally connected, cultural community and network in the South West.

PLASIZMO will take place at Back Lane West, Redruth on Friday 26th June, 7-10pm.

Back Lane West is a short walk from both rail and bus links.