BA(Hons) Illustration Collaborative Project in Bristol

BA(Hons) Illustration Senior Lecturers Linda Scott and Natalie Hayes recently accompanied a group of second and third year students to Bristol, for a week-long trip focused on studio visits, professional practice talks and workshops, as well as an exhibition of work produced by them during their visit in response to a brief.

Dave Bain talking about his projects

Falmouth Alumni Dave Bain, who graduated in 2006, as established himself in Bristol as a lynchpin of the thriving Illustration scene. As well as being a successful Illustrator, Dave is responsible for setting up illustration studios in Hamilton House (in the Stokes Croft area of the city) and the Illustration Collective, ‘Drawn In Bristol‘.

A good number of Falmouth Illustration alumni have relocated to Bristol, as an alternative to London; many have studio space in Hamilton House, which Dave modeled on the Falmouth course’s studio set up. Our students were given a tour of Hamilton House, and also The Island, a converted police station on Nelson Street.

At Hamilton House, Illustrators Lara Hawthorne, Paula Bowles, Freya Hartas and others talked informally about their experiences as Illustrators since graduating; at The Island, collective Sad Ghost Club talked about collaboration, the merchandise they produce and what brought them together as a group.

Coordinating the visit for us, Dave Bain booked The Square Club as a meeting space for us, and as venue for speakers Lara Hawthorne, Joe Roberts and Laurie Stansfield, who are working together and have developed a mentoring scheme suitable for graduates who are unable to work in studio spaces and who might otherwise be subject to isolation. Joe and Laurie meet monthly to support one another with projects and business, holding one another accountable for developing projects and setting schedules. Dave talked about his experience setting up the studios and working collaboratively, and spoke about his role as a ‘connector’ of people, bringing them together to develop public realm projects which directly benefit the local community.

Before their trip, students had been given a brief, focusing on themes of Regeneration and Collaboration. The culmination of their research was the formulation of visual outputs for exhibition in the Space Gallery, in the Old Market area of Bristol. Student exhibits ranged from 3D objects to customised shirts, a video and a 3D mobile.

Limbic Cinema workshop

A private view of the exhibition followed a final day of workshops, from Tom Newell of Limbic Cinema. Tom digitised drawings from students’ sketchbooks and mapped and projected these onto plinths and walls; he taught students how to do the same, with the outcome being several visual collages projected onto 2D and 3D spaces.

We commend our students for their high level of engagement throughout this intensive professional practice study visit, and for their participation even when treacherous weather threatened to impact heavily their activities.

 

Advertisements

First look at this autumn’s Guest Speaker programme…

This autumn we welcome five outstanding Guest Speakers to deliver lectures to students of Falmouth School of Art. Speakers include return visits from our two Visiting Professors, and an exciting event in association with the Groundwork project. Places are available at each for members of the public, our arts partners across the region and our alumni.

Places limited, registration required. Click here for more details and links to registration.

FOMO – Introducing Falmouth’s first Art Publishing Fair

F O M O – the first ever Falmouth Art Publishing Fair – opens at 4pm on Friday 29 September for a weekend of talks, workshops, screenings, artists’ book works, performances, zines and comics and readings.   

FacebookTwitterWordPress

Organised by Falmouth School of Art’s Senior Lecturers Neil Chapman, Gillian Wylde and Carolyn Shapiro and Associate Lecturer Maria Christoforidou, F O M O will take place at Falmouth Art Gallery and the Library of the Municipal Buildings, The Moor, Falmouth, and brings together Falmouth School of Art staff and students with local participating institutions including: Falmouth Art Gallery, Falmouth Library, Tate St Ives, Stranger Collective, Urbanomic, Atlantic Press, Burning House Books, BLNT Collective, Keiken and Krowji. 

F O M O will include contributions from academic and research colleagues from: Royal  Holloway University, Cambridge University, West Dean College, Aarhus University, Plymouth University, Goldsmiths University of London, Research Center for Material Culture Netherlands and from across Departments at Falmouth University.

Generously supported by Falmouth Art Gallery, the event has grown out of discussion between colleagues across different departments at Falmouth University. From meetings as a Research Forum, finding common ground between their varied interests, the group started to consider joint research and how best to team up for that work. One of the organisers, Neil Chapman, reflects on the development of the event, and what we can look forward to over the weekend…

‘As a research group, we share a commitment to collective work. That’s both a pragmatic interest and a critical position too. Most often, when people work together it’s so that a workload can be shared. But collective work is unpredictable and inefficient too and these are values that might tend to be lost in the current climate. There is a lot of emphasis in the contemporary workplace on individuals’ success and the competition that results can be destructive. Our title for the event – Fear of Missing Out – is on some level an ironic allusion to these issues.

We are all of us, in different ways, committed to discursive work, to the climate of ideas that surrounds ‘making’ in our different disciplines. And that’s a foundation for the publication fair too, reflected in the many talks, screenings, readings and performances scheduled over the weekend. F O M O provides an opportunity for us to invite our colleagues and friends to Cornwall. It’s good for the cultures of creative practice here in Falmouth. F O M O will bring lots of people into contact who might not have met otherwise. We’re excited to imagine the new partnerships and the new work that might result.

The aim has been to inaugurate the kind of event that we would want to go to ourselves, also the kind of event that students would be excited about. Henrietta Boex, Director of Falmouth Art Gallery, has been extremely supportive. We’ve made all kinds of demands on her and she seems never to say no to anything; the Gallery’s Glyn Winchester has also been a great support. The independence of the project is a way of underscoring our own priorities, which are evident in all kinds of ways through the framing of the event: the name, the graphics, the publicity, the choice of which artists, writers and publishers to invite. There are many Art Publishing Fairs in the UK and abroad and we have had an eye on some of those. But in another sense this Fair has been invented from scratch. And for that reason it will work well as a foundation for bigger and more varied research initiatives to come. We’re talking about a future peer-reviewed journal, discursive gatherings – dream dinner date/fantasy football team type things with exciting living people—maybe some dead folk too, ghosts. No zombies. Digital Roland Barthes’ Camera Lucida . . .

It’s particularly good to be working with current students and recent Falmouth University graduates. As part of FOMO, Graham Taylor who studied Fine Art and who graduated in 2015 is curating an exhibition entitled Practically Outside, involving a dozen or more Falmouth alumni. His contribution makes a direct engagement with the FOMO ethos, looking critically at what it means to be an ‘emerging artist’, engaging in the most thoughtful way with different platforms of exhibition and print publication.’

F O M O also includes contributions from writers, artists, poets, publishers, activists, hackers, Falmouth University alumni and musicians both national and international.

F O M O is an inaugural event, bringing a new art research collective into being, which, over forthcoming months will stage events in different forms and at different locations, connecting diverse networks.

https://falmouthartpublishingfair.wordpress.com/

HOW TO SWIM Exhibit B: Treading Water

HOW TO SWIM – a series of six contemporary art events in different spaces across Manchester’s Victoria Baths site.

Over the six events artists will react to the site, installing sculptures, paintings and video as well as performing live movement and spoken word pieces, holding workshops and giving talks.

Exhibit B: Treading Water is the second event of the series, and includes work by recent BA(Hons) Fine Art graduates Tanya Cruz and Jess Russell, and Mercedes Kemp, Senior Lecturer in Fine Art at Falmouth School of Art.

These events are organised and curated by recent Falmouth Fine Art graduates Polly Maxwell and Lulu Richards aka WHATCHAMACALLIT collective.

http://www.whatchamacallitcollective.com/the-collective.html

The events take place at the historic Victoria Baths in Manchester a listed Edwardian swimming pool and Turkish Baths complex.

The Big Draw at Falmouth – ‘Boatanicals’

This slideshow requires JavaScript.

As part of The Big Draw, Falmouth Foundation students and staff have launched a series of workshops on the theme ‘Boatanicals’, producing some spectacular results so far.

The launch workshop took place at Falmouth’s Princess Pavilion, part of their ‘Make and Take’ series. Shapes were constructed drawing together flowers and nautical themes, from a range of colourful recycled goods.

Jane Chetwynd, Course Coordinator for the Foundation Diploma in Art and Design, said ‘We are so pleased with the results from the first workshop and delighted by the enthusiasm we have seen from people wishing to participate. It’s going to be quite a ‘Boatanical’ installation!’.

The project has involved Penryn College, Constantine Primary School, Marlborough School, Falmouth Primary School and Princess Pavilion. 104 Foundation students have been involved in the making so far, with around 15 of them helping with the workshops. A number of Falmouth’s postgraduate students are also involved.

The Foundation studios at Wellington Terrace, Falmouth, are open to anyone wishing to drop in and join in the making (free of charge) on Monday 6 March, 2-5pm, Tuesday 7 March 10am-1pm, Wednesday 8 March 2-5pm and Thursday 9 March 10am-1pm. A further ‘Make and Take’ session for the project will run at Princess Pavilion on Monday 6 March, 10am-12pm.

The resulting ‘Boatanicals’ will be ‘planted out’ at the Princess Pavilion on 16 March in time for the annual Falmouth Spring Flower Show, to be held at the venue 18-19 March.

A Facebook page has been set up for ‘Boatanicals’ which will include updates and more information about the project: https://www.facebook.com/The-Big-Draw-Falmouth-1871001206500975/?ref=aymt_homepage_panel

Maritime Mural Project – a collaboration with Falmouth, National Maritime Museum Cornwall, Spectrum, Exeter University and street artist Marc Craig

Our Foundation students here at Falmouth are involved in a community project ‘The Maritime Mural Project‘ between partners The National Maritime Museum Cornwall, Spectrum Autism Charity, University of Exeter, Falmouth University and street artist Marc Craig.

The project is about celebrating ‘difference’ and coincides with the opening of the Maritime Museum’s Captain Bligh and Tattoo exhibition. Members of the community are being asked to draw a doodle which celebrates their difference, under the title, ‘Everyone is Different, Who are You’?

The students have decorated 16 bespoke postboxes, which are displayed around the town and also in local libraries, galleries and schools; it is hoped these will inspire the community to doodle. The doodles, together with other images researched by the students, alongside daffodils which represent Falmouth’s Spring Festival, will contribute to a 100-foot long mural which will be created by and painted onto the wall of the Maritime Car Park on Bar Road by street artist Marc Craig.

Marc Craig is based in London, and works primarily with large scale murals, both on his own and as part of the street art collective Psychodoodlz. He is also an alumus of Falmouth, having graduated with a degree in Studio Ceramics in 2003, and an MA in Contemporary Visual Arts in 2004.

julies-box boxes

 

Crafting the Cathedral – BA(Hons) Contemporary Crafts Exhibition

 

This slideshow requires JavaScript.

‘Crafting the Cathedral’ brings together for exhibition contemporary craft artefacts, created and designed as a personal response to Truro Cathedral by invited third year students from Falmouth’s BA(Hons) Contemporary Crafts course.

The responses to Truro Cathedral – its stunning architecture, history and purpose as a place of worship – has led to an engaging mix of small and large-scale art works.

BA(Hons) Contemporary Crafts has long worked closely with a range of external partners, exploring new ways of engaging audiences with objects and places.

‘It’s been a really important, demanding, yet rewarding challenge to create interpretive objects that live up to the building, the people and items that live there’, says Jason Cleverly, Senior Lecturer on the course. ‘Many of the Cathedral’s artefacts carry great metaphorical power and some fascinating and unusual stories – we hope you will enjoy the students’ responses to the building’.

crafting-the-cathedral-posterTruro Cathedral is keen to provide opportunities for students to creatively explore the building, its artefacts and how it is connected to the wider community.

Kirsten Gordon, Education & Schools Officer, commented, ‘We have found the students’ approach to their brief to be interesting and incredibly varied, demonstrating technical skill and creativity. It is a valuable experience for us to see with fresh eyes the many different facets of cathedral life which speak on so many more levels than we perhaps see at first glance’.

Lizzie Arthur, Truro Cathedral’s Education and Interpretation Officer and graduate of the Contemporary Crafts course added, ‘We hope that our visitors enjoy the students’ personal responses to Truro Cathedral. Such exhibitions challenge the audience to look more closely at the familiar, inspiring both the cathedral community and our visitors’.

Crafting The Cathedral is on at Truro Cathedral, 2-16 February (Monday-Saturday 10-15, Sunday 12-4) Entry is free.