BA(Hons) Drawing take Amsterdam!

BA(Hons) Drawing students recently returned from a study visit to Amsterdam. Second year student Esme Bone and Emma Edwoods share their experience of the trip…

‘We were given the opportunity to go on a study trip to Amsterdam with our course. We spent five days exploring the city and experiencing the culture. We had the chance to visit many of the art galleries that Amsterdam has to offer, including the Van Gogh museum, the Rijksmuseum and the Stedelijk, spending time in the galleries and museums drawing and taking inspiration from the artists and artefacts.

Our hostel was next to Vondelpark; this was a really great location, because we were walking distance from many of the attractions. It also made it really easy to go and explore on our own, knowing that we could get back in no time if we needed to. The area was beautiful and really easy to get around.

We spent our evenings getting food together as a course or in smaller groups – it was nice to get to know everyone a little better. If you are ever given this opportunity I would definitely recommend it – just watch out for the bikes!’

 

 

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Recent projects – BA(Hons) Drawing

Recent observational projects for second-year BA(Hons) Drawing students have been developed around Falmouth Campus’s new Atrium, which houses cafe bar, canteen and social and studying spaces. The height and breadth of  this new architectural space have challenged the visual skills of these more experienced students.

Meanwhile back in the Drawing studios, the ancient traditions of sight-sizing are being taught, raising the bar in terms of observational precision. These drawing classes, found daunting by students to begin with, proved hugely rewarding. Head of Drawing, Phil Naylor, commented, ‘Students describe a real sense of achievement in completing these classic exercises’.

Alice Howard and Sarah Standen sight-sizing

Alice Howard and Sarah Standen sight-sizing

Student Samiir Saunders said, ‘Sight size drawing surprised me in its specificity. The particular nature of the measuring process definitely brought with it a lot of history and intrigue. However, it also demanded a huge amount of patience. My favourite phase in the process was at the completion of the first stage. The drawing appeared to be nothing more than a set of horizontal and vertical lines. And yet, contained within these lines were hours of precise measuring, mapping, checking and re-measuring – such that they evoked in me a vivid image of the completed work. This superposition of realism and abstraction was truly profound and humbling’.

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