New commission by Gillian Wylde at Arnolfini, Bristol

The ‘Moving Targets’ summer season at Arnolfini, Bristol (29 July – 11 September 2016), celebrates the 40th anniversary of Punk.  ‘Resist Psychic Death’ opens in Gallery 1 at the Arnolfini on Friday 12 August, an expanded exhibition inviting audiences to question and discuss the history and future of punk.

The Day The World Turned Day-Glo, Gillian Wylde, 2016

The Day The World Turned Day-Glo, Gillian Wylde, 2016

 

The exhibition includes a new commission by Falmouth School of Art Senior Lecturer in Fine Art, Gillian Wylde. The commission, ‘The Day The World Turned Day-Glo’ includes effervescently discordant video works, collaged with corrupted image and text; it takes over Arnolfini’s foyer and overflows into the Café-Bar and Bookshop.

‘The Day The World Turned Day-Glo’  is open 11am-6pm daily for the duration of the Moving Targets season, entry free, donations welcome.

The Day The World Turned Day-Glo, Gillian Wylde 2016

The Day The World Turned Day-Glo, Gillian Wylde 2016

Gillian Wylde makes performative work for video and installation. Central to her work is a critical engagement with technologies, language and the mediated. Processes of appropriation, petty arrangement and post-production are constants through most of the work like maybe a savage smell or hairy logic. Her work has been shown nationally and internationally including; Transmodern Live Art Action Festival, Baltimore; Videotage, Hong Kong; Alytus Biennial, Lithuania; Tao Scene, Norway, Experiments in Cinema, Albuquerque and CCA Gallery, Glasgow. Recent work includes: ‘Enflamma Diagra’ a collaboration with Neil Chapman ICA, London, ‘Snakes&Funerals’ a collaboration with James S Williams and Emily Jeremiah for ‘Queer The Space’ CCC, London and ‘Inna-deno pudenda membra’ an essay published in ‘The Interior’ by Eros Press.

The Day The World Turned Day-Glo, Gillian Wylde 2016

The Day The World Turned Day-Glo, Gillian Wylde 2016

Advertisements

EYE Prize awarded to Ben Rivers

Falmouth School of Art alumnus, artist and filmmaker Ben Rivers has been announced as the winner of the 2016 EYE Prize. Set up in collaboration between EYE, the Dutch film museum, and the Paddy and Joan Leigh Fermor Arts Fund, the EYE Prize exists to highlight the relationship between contemporary art and film, awarding £25,000 annually to fund the making of new work by a living artist.

Image: Nancy Holt and Robert Smithson, Swamp, 1971. Estate of Robert Smithson, Courtesy James Cohan Gallery, New York/Shanghai and Electronic Arts Intermix (EAI), New York.  

Ben Rivers, Swamp, 1971. Estate of Robert Smithson, Courtesy James Cohan Gallery, New York/Shanghai and Electronic Arts Intermix (EAI), New York. Image: Nancy Holt and Robert Smithson.

The EYE Prize aims each year to support and promote the artist or filmmaker whose work unites art and film, and demonstrates quality of thought, imagination and artistic excellence.

Last month, in an event presented by CAST and LUX as part of the public programme for The Cornwall Workshop 2016, Rivers introduced and spoke about his curated film programme, Edgelands, to a crowded lecture theatre at Falmouth School of Art, from where he graduated in 1993.

Blouin Artinfo have published a new interview with Rivers in which he responds to having been awarded the prize: read it here.

Moving/Image: group exhibition of new and recent video work

Four Cornwall-based artists – Stacey Guthrie, Fiona Léus-Lambert, Christina Romero Cross and Frances Walsh – are showing new and recent work in a group show at CMR Gallery, Redruth, open from Sunday 26 April to 03 May, 12.00-17.00 daily.

The show, entitled Moving/Image, is a selection of new and recent work that utilises video, sculpture and installation.

Three of the artists – Stacey Guthrie, Christina Romero Cross and Frances Walsh – are alumni of Falmouth University, where they studied Fine Art. Stacey Guthrie’s work has recently been shown at Newlyn Art Gallery as part of the Bloomberg New Contemporaries show. Fiona Léus Lambert is an established artist, based in Porthleven, who has shown widely in Germany and the UK. Both she and Frances Walsh have been members of artist-led CMR Gallery for several years.

A grant from Arts Council England for new video work has supported the exhibition.

moving-image-poster-final-jpeg

The work of Christina Romero Cross engages with the miniature and the interior. Romero Cross has described how she is ‘endlessly fascinated by secret chambers and unexpected views of the otherwise hidden, like a glimpse through imperfectly closed curtains to the interior of a life unknown’.

The interactive video installation being shown by Stacey Guthrie is a new piece that explores the cumulative effect of menial work over time. Employing her signature style, Guthrie takes a humorous and darkly surreal look at what happens to one woman when she is literally consumed by laundry.

Frances Walsh will be showing a new piece of work that further extends her recent series of projected, looped and closely observational video recordings – in this case, a quiet study of a child’s attempts to build and light a fire.

A graduate from Städelschule in Frankfurt am Main, Germany, with the title of ‘Meisterschule’, Fiona Léus Lambert formerly worked intensely with Super 8 and 16mm film, editing ‘in-camera’. More recently she has used video and other digital mediums and editing methods. Although ideally her films should be seen in a cinema situation, some, like the new piece in CMR, are conceived as installations. ‘Loss’ is personal piece, but also references classical forms in art.

CMR member and artist Frances Walsh explains “It can sometimes seem that there are perhaps fewer opportunities to show video or installation-based art work, compared to painting or sculpture. But the spaces at CMR Gallery lend themselves to this type of work. With the Moving/Image show, I sought to bring together the work of four female artists that explored different approaches to producing and using the moving image: we are all primarily using digital video projections within installation environments, but the working methods, themes and intentions behind our work are very different. The environment at CMR has allowed each participating artist to have their own dedicated space to show recent and in some cases new work, to new audiences. We hope as many people as possible will come and have a look.”

 

 

Visiting Professor of Art, Simon Fujiwara, returns.

The Falmouth School of Art is delighted to welcome back Visiting Professor of Art Simon Fujiwara, for tonight’s Professorial lecture.

More tickets have just been added for tonight’s event, which starts at 6pm in the main Lecture Theatre, Falmouth Campus.

Fujiwara’s previous lectures at Falmouth have proved very popular with students and staff from across the School, as well as members of the public, and he joins us this year from opening his curated section of the History Is Now exhibition at the Hayward Gallery in London.

Whilst in Falmouth, Fujiwara will also work with BA(Hons) Fine Art students.

Tickets are free, but booking essential: http://www.eventbrite.co.uk/o/the-falmouth-school-of-art-5638618961

Flyer - Simon Fujiwara

Guido Lanteri-Laura wins the Midas Award 2014

Guido-Lanteri-Laura_Winner_MidasAward-2014

Guido Lanteri Laura has been announced winner of the prestigious Midas Award at a private view held at Newlyn Art Gallery on Friday 17 October. The award was presented alongside the exhibition launch, which showcases work by all of the finalists, recent BA(Hons) Fine Art graduates Guido Lanteri Laura, Laura Adams, Calum Armstrong, Diana Bechmann and Jon Doran. Also opening was Existed, the solo exhibition by last year’s winner, Marc Messenger.

Much of Guido’s work consists of primitively edited films in which physical acts and performances can be represented in a way that create moments of doubt within the mind of the audience. These moments of doubt have the ability to not only send the protagonist into a different world, but simultaneously send the audience there with him.

Guido comments, “I was shortlisted for the Midas Art Award from the degree show, and it’s fantastic to win. Now I’ve won this award, I will look to continue my work and aim to apply for a place at the Royal College of Art in the new year”. He receives a prize worth £1,500, a year’s mentoring from an art tutor based at Falmouth, and the opportunity to stage his own solo exhibition at the Millennium Gallery, St. Ives in the autumn of 2015.

The exhibition is on at Newlyn Art Gallery in Penzance until 15 November. The gallery is open to the public from Tuesday to Saturday, 10am – 5pm, and entry is free, donations welcome. Alongside the finalists’ exhibition, paintings by Caroline Pedler will also be on display in The Picture Room from 18 October to 15 November. All works are for sale.

Falmouth graduates reviewed at Bloomberg New Contemporaries

Writing for the Edinburgh based magazine, The Skinny, Sacha Waldron discusses this year’s Bloomberg New Contemporaries exhibition at the World Museum, Liverpool, and highlights work by Falmouth Fine Art graduates Edward Hill and Frances Williams.

Waldron writes, “a stand-out painting comes from Falmouth’s Ed Hill. His trio shows a man standing on a mountain rock, in a bee suit at night and lying in bubbling rapids. The viewer is transported to a 1970s hike in Yosemite to the soundtrack of Simon and Garfunkel. It’s the most carefree summer in this moustachioed young man’s life, and I want to be in those paintings with him, wrapped in an unknown landscape of muddy greens, glowing whites and dusky pink skies”.

Ed Hill, Bee Night, 2013,

Ed Hill, Bee Night, 2013,

Waldron continues by picking out a work by Frances Williams…”Further into the exhibition, however, the video offering becomes really interesting. Ting & Tang: anachronisms by Falmouth’s Frances Williams is the most intriguing. Two men sit side-by-side as if on stage preparing for a performance, before rising into a ritualistic dance with each other. Twisty lines of disturbance sporadically distort the image. With a rather disturbing found-footage quality, the work is refreshingly hard to pin down”.

(Whole review)

Ed Hill graduated from BA(Hons) Fine Art at Falmouth in 2014, and also studied his Foundation at Falmouth. His work can be seen online at: www.edwardjhill.com 

Frances Williams graduated from BA(Hons) Fine Art in 2010. Her work can be seen online at: www.frances-williams.co.uk

Also included in the show is a video piece by 2013 Falmouth BA(Hons) Fine Art graduate Stacey Guthrie, Disarmed and Ever So Slightly Dangerous, 2013. Her work can be seen online at www.staceyguthrie.co.uk 

Screen Shot 2014-10-30 at 17.59.36