Falmouth School of Art

Interested in Falmouth School of Art at Falmouth University? Find out what our students, staff and alumni get up to…

Fine Art Senior Lecturer Neil Chapman – recent practice.

Dr Neil Chapman, Senior Lecturer in BA(Hons) Fine Art at Falmouth School of Art, was recently among contributors to a Speculative Art School event.

The Speculative Art School is a public programme of free talks, walks, discussions, workshops, study sessions and sonic explorations that explore provisional territories in past, present, and future thinking. It was curated by Sarah Bowden who runs the Hardwick Gallery in Cheltenham.

Neil contributed a written piece specifically for The Speculative Space; the event provided a public opportunity to browse a  compilation of speculations and proposals submitted by some of The Hardwick Gallery’s favourite thinkers in a form of independent group study.

Dr Neil Chapman is an artist, writer and researcher. His current work explores material textual practices, artists publishing, art/philosophy interdisciplinarity, questions concerning visuality, collaborative method, the evolution and politics of art-research.

 

MA Illustration – Private View, Show and Performance Event

We are delighted to announce NEXUS, the MA Illustration: Authorial Practice end of year show at Falmouth Campus, and accompanying event and performance at The Fish Factory Art Space, Penryn…

 

 

 

 

 

 

 

 

Private View and End of year show – All welcome to the Private View of the end of year show: 6-9pm on Tuesday 4 September, Tannachie Garden Studios, Falmouth Campus, Woodlane, Falmouth, TR11 4RH. The show then runs from Wednesday 5 to Sunday 9 September, 10am–5pm.

For more information, view the fantastic show website, featuring images and text from all the contributing artists. Also see the show Facebook page, and Instagram feed.

Performance Event – There will also be a special performance event on Thursday 6 September, 7-11pm at the Fish Factory Art Space, Commercial Road, Penryn, TR10 8AG. From the weird to the lyrical, the playful to the polemical; this year’s graduating MA Illustration students hold a night of performance, storytelling and song to accompany their end of year show; NEXUS. The evening also launches an exhibition of the artists’ manifestos, on show throughout the following week. – click here for the Fish Factory’s Facebook event.

 

 

‘An Hour to Sing – A Journey of Following’

An Hour to Sing – A Journey of Following by Kym Martindale and Caroline Blythe, is a collaboration featuring drawing and writing, published in Edition Three of Elementum Journal.

Images of ‘An Hour to Sing – a Journey of Following’ by Kym Martindale and Caroline Blythe from Edition three of Elementum Journal

Caroline Blythe, a recent BA(Hons) Drawing graduate of Falmouth School of Art, and Dr. Kym Martindale, Senior Lecturer in Falmouth’s School of Writing and Journalism have, over the last three years, been collaborating on a project that has sought to explore and respond to Edward Thomas’s In Pursuit of Spring, an account of a bicycle ride from Guildford to Somerset in 1913.

Between 2012 and 2017, poet and cyclist Kym Martindale began the pursuit of Edward Thomas, riding and writing parts of Thomas’s journey from Winchester to the Quantocks in Somerset. In 2014, Caroline Blythe joined in, equipped with OS maps, and a copy of In Pursuit of Spring, and set off to explore and discover the landscape and locations described in poetry and prose by Martindale and Thomas.

For practical reasons both Kym and Caroline split Thomas’ journey into three distinct areas, visiting these when time allowed, following Thomas on bicycle, foot and at times by car. They recorded snippets of time and place ­– observing and notating the landscape as they travelled. The result is a collection of poems by Dr Kym Martindale and drawings by Caroline Blythe recently published in Edition Three of Elementum Journal.

Images of ‘An Hour to Sing – a Journey of Following’ by Kym Martindale and Caroline Blythe from Edition three of Elementum Journal

We talked with Caroline and Kym to find out more…

Caroline says, “It has been an absolute pleasure to discover and explore both the countryside in the south of England, described so beautifully by Edward Thomas, and also respond to and work with Kym’s wonderful poems, while at the same time recording my own visual observations. As I travelled through the locations described by Edward Thomas and Kym, capturing fleeting moments in sketchbooks, I kept thanking them for introducing me to these beautiful and interesting places. It was a privilege to experience the landscape through their eyes as well as observe for myself. It was a fascinating process. Perhaps the most exciting visual outcomes from this project evolved through this collaborative working process which led to the creation and compiling of palimpsests – an interleaving of tracings of drawings.”

Kym adds, “This research project combined two great passions of mine, poetry and cycling. In Pursuit of Spring describes a landscape on the brink of change, but it is the cradle too of so much of Thomas’s poetry, and an index to the man himself. The poems and drawings are ‘re/tracings’ of journeys made by Thomas, then myself, then Caroline, through a landscape that is constantly changing economically, politically, and aesthetically. And about halfway through the project, we suddenly realised that although we each travelled alone, we were also together in the journey we were making. I am sorry in some measure, that we have arrived.”

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Elementum, founded by Falmouth MA graduate Jay Armstrong, is a biannual publication of new writing and visual arts that explores the natural world and our role within it. Through folklore, literature, poetry, science and specially commissioned art and photography, Elementum quietly brings the reader back to what really matters by nurturing our connection to the natural world and the myths that surround it. The theme of the third edition is ‘roots’ and explores our origins and what sustains us.

If you would like to know more about Elementum journal or purchase a copy of the publication, you can do so by visiting their website: https://www.elementumjournal.com/

FOMO – Introducing Falmouth’s first Art Publishing Fair

F O M O – the first ever Falmouth Art Publishing Fair – opens at 4pm on Friday 29 September for a weekend of talks, workshops, screenings, artists’ book works, performances, zines and comics and readings.   

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Organised by Falmouth School of Art’s Senior Lecturers Neil Chapman, Gillian Wylde and Carolyn Shapiro and Associate Lecturer Maria Christoforidou, F O M O will take place at Falmouth Art Gallery and the Library of the Municipal Buildings, The Moor, Falmouth, and brings together Falmouth School of Art staff and students with local participating institutions including: Falmouth Art Gallery, Falmouth Library, Tate St Ives, Stranger Collective, Urbanomic, Atlantic Press, Burning House Books, BLNT Collective, Keiken and Krowji. 

F O M O will include contributions from academic and research colleagues from: Royal  Holloway University, Cambridge University, West Dean College, Aarhus University, Plymouth University, Goldsmiths University of London, Research Center for Material Culture Netherlands and from across Departments at Falmouth University.

Generously supported by Falmouth Art Gallery, the event has grown out of discussion between colleagues across different departments at Falmouth University. From meetings as a Research Forum, finding common ground between their varied interests, the group started to consider joint research and how best to team up for that work. One of the organisers, Neil Chapman, reflects on the development of the event, and what we can look forward to over the weekend…

‘As a research group, we share a commitment to collective work. That’s both a pragmatic interest and a critical position too. Most often, when people work together it’s so that a workload can be shared. But collective work is unpredictable and inefficient too and these are values that might tend to be lost in the current climate. There is a lot of emphasis in the contemporary workplace on individuals’ success and the competition that results can be destructive. Our title for the event – Fear of Missing Out – is on some level an ironic allusion to these issues.

We are all of us, in different ways, committed to discursive work, to the climate of ideas that surrounds ‘making’ in our different disciplines. And that’s a foundation for the publication fair too, reflected in the many talks, screenings, readings and performances scheduled over the weekend. F O M O provides an opportunity for us to invite our colleagues and friends to Cornwall. It’s good for the cultures of creative practice here in Falmouth. F O M O will bring lots of people into contact who might not have met otherwise. We’re excited to imagine the new partnerships and the new work that might result.

The aim has been to inaugurate the kind of event that we would want to go to ourselves, also the kind of event that students would be excited about. Henrietta Boex, Director of Falmouth Art Gallery, has been extremely supportive. We’ve made all kinds of demands on her and she seems never to say no to anything; the Gallery’s Glyn Winchester has also been a great support. The independence of the project is a way of underscoring our own priorities, which are evident in all kinds of ways through the framing of the event: the name, the graphics, the publicity, the choice of which artists, writers and publishers to invite. There are many Art Publishing Fairs in the UK and abroad and we have had an eye on some of those. But in another sense this Fair has been invented from scratch. And for that reason it will work well as a foundation for bigger and more varied research initiatives to come. We’re talking about a future peer-reviewed journal, discursive gatherings – dream dinner date/fantasy football team type things with exciting living people—maybe some dead folk too, ghosts. No zombies. Digital Roland Barthes’ Camera Lucida . . .

It’s particularly good to be working with current students and recent Falmouth University graduates. As part of FOMO, Graham Taylor who studied Fine Art and who graduated in 2015 is curating an exhibition entitled Practically Outside, involving a dozen or more Falmouth alumni. His contribution makes a direct engagement with the FOMO ethos, looking critically at what it means to be an ‘emerging artist’, engaging in the most thoughtful way with different platforms of exhibition and print publication.’

F O M O also includes contributions from writers, artists, poets, publishers, activists, hackers, Falmouth University alumni and musicians both national and international.

F O M O is an inaugural event, bringing a new art research collective into being, which, over forthcoming months will stage events in different forms and at different locations, connecting diverse networks.

https://falmouthartpublishingfair.wordpress.com/

Visiting Professor Graham Rawle to give inaugural lecture at Falmouth

(c) Graham Rawle, from The Wizard of Oz

Author, artist and designer Graham Rawle will give his inaugural lecture as Falmouth School of Art’s Visiting Professor of Illustration on 22 March 2017.

Internationally admired, Rawle is one of the UK’s most interesting and original visual communicators, known by many for his long running ‘Lost Consonants’ strip, which appeared in the Guardian from 1990. A writer and collage artist whose visual work incorporates illustration, design, photography and installation, Rawle has a strong following for his eagerly-awaited published books, which include The Card (shortlisted for the 2013 Writer’s Guild Award), Graham Rawle’s Wonder Book of Fun and Diary of an Amateur Photographer. His collaged novel Woman’s World, created entirely from fragments of found text clipped from vintage women’s magazines won wide critical acclaim, described by The Times as ‘a work of genius…the most wildly original novel produced in this country in the past decade.’ His reinterpretation of The Wizard of Oz won Book of the Year and Best Illustrated Trade Book at the 2009 British Book Design and Production Awards. Alongside these works, Rawle has produced regular series for The Observer, The Sunday Telegraph Magazine and The Times.

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Graham Rawle. Photo credit: Jenny Lewis

Rawle’s flair and passion for education has been recognised through honorary appointments and awards. As a previous contributor to both Falmouth School of Art’s guest speaker programme and its Illustration Forum he already has a strong interest in Illustration here. Of his appointment in 2016, Rawle said, “It’s a great honour for me to have been made Visiting Professor of Illustration at Falmouth University. I have long admired the School of Art’s commitment to nurturing original and individual thinking in art and design. My own research in sequential design and visual narrative spans across illustration, literature and, more recently, film. I’m interested in how the principles of storytelling, particularly three-act structure, can be employed in the development of design strategies across a wide range of disciplines. I look forward to finding ways of making connections with students, staff and researchers at Falmouth”.

Rawle has established himself as a ground-breaking research-led writer, illustrator and designer, evidenced through the range and depth of key scholarly texts that cite and analyse his work. He teaches on the MA Sequential Design/Illustration and MA Arts and Design by Independent Project courses at Brighton and in 2012 he was awarded an honorary doctorate for Services to Design from Norwich University of the Arts.

Graham Rawle’s lecture at our Falmouth Campus is free, but registration is required, as seats are limited: Click here to register through our Eventbrite page.

Find out more about our BA(Hons) Illustration and MA Illustration: Authorial Practice.

 

International awards for Falmouth Illustration alumni

Two of this year’s four winners of the BolognaRagazzi Award are alumni of Falmouth’s BA(Hons) Illustration. The BolognaRagazzi Award is one of the world’s most highly regarded international prizes in children’s publishing, giving winners extraordinary visibility, including through high profile recognition at the Bologna Children’s Book Fair.

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Emma Lewis won the Opera Prima category for The Museum of Me, by Tate Publishing. She said, ‘Winning the award was an amazing surprise, as I hadn’t even considered that I would be put forward. I’m also pleased because it reflects all the brilliant hard work put in by my publishers, Tate’.

2012 graduate William Grill won the Non-fiction category for his book The Wolves of Currumpaw, published by Flying Eye Books. Grill said ‘I am over the moon that Wolves was chosen for this year’s non-fiction category, I had never imagined that it would be so well received overseas. Since my aim was to bring Seton’s tale to a modern audience, I now feel more hopeful that more people will appreciate the story’.

The Wolves of Currumpaw has also been long listed for this year’s CILIP Kate Greenaway Medal, the UK’s oldest award for Children’s literature, previously won by some of the best loved children’s illustrators, including Quentin Blake and Raymond Briggs. Grill won the Medal in 2015 for his acclaimed Shackleton’s Journey.

Alongside Grill on the Kate Greenaway Medal long list is Levi Pinfold, who graduated from Falmouth in 2006. Pinfold – also a previous Medal-winner, in 2013 for Black Dog – has been selected for his picture book Greenling, published by Templar Publishing. The Kate Greenaway Medal short list will be announced on 16 March, with the winners announced at a ceremony in June.

A welcome return to Falmouth for author and illustrator Posy Simmonds

Posy Simmonds, pictured at the launch of the Big Draw Weekend on October 22, 2010 in London (AFP Photo PETER MACDIARMID)

Posy Simmonds, pictured at the launch of the Big Draw Weekend on October 22, 2010 in London (AFP Photo PETER MACDIARMID)

Posy Simmonds joins us at Falmouth School of Art on 1 March in the next of our Guest Speaker events. It’s a welcome return for Simmonds, an Honorary Fellow of Falmouth University, and the author and illustrator of books for adults and children, including Literary Life, Tamara Drewe, Lulu and the Flying Babies and Fred, the film of which was nominated for an Oscar.

Tamara Drewe, (c) Posy Simmonds

Tamara Drewe, (c) Posy Simmonds

Simmonds made her name with a series of weekly cartoon strips for the Guardian from 1977; her acclaimed graphic novels Gemma Bovery, and Tamara Drewe were both serialised in the paper before their publication as books, and both have since been adapted into successful feature films.

Fred, by Posy Simmonds

 

Simmonds’ style for adults gently satirises the English middle classes. Her books often feature a ‘doomed heroine’, much in the style of the 18th- and 19th-century gothic romantic novel, to which they often allude, but with an ironic, modernist slant.

Simmonds’ carreer as a children’s author began in 1987 with Fred, the tale of the death of a domestic tomcat who, to his owners, appeared to have done little more than eat and sleep all day, but who had in fact by night been pop superstar ‘Famous Fred’, adored by thousands of fans

Further reading / listening…

Listen to Posy Simmonds interviewed by Gil Roth in 2015

Posy Simmonds on Radio 4’s Desert Island Discs, from 2008

Read Tripwire interview with Posy Simmonds from 2008

Read an extensive Posy Simmonds profile from 2012

Posy Simmonds will be talking at Falmouth University on 1 March 2017, Lecture Theatre 1, Falmouth Campus, 5pm-6pm 

Click here to register (free, but required) through our Eventbrite page.

MA Illustration Alumna, Heidi Ball, wins international writers competition

Heidi Ball, Illustrator and Writer, who graduated from the MA Illustration: Authorial Practice course in 2013 has won the 2016 Iceland Writers Retreat (IWR) writing competition with her short story ‘White Light’.  The competition to win a spot on the retreat has been running for three years and attracted over 350 entries from around the world.

The IWR will take place in Aprwhite-light-heidi-ballil this year and is a space for writers and those who enjoy the craft of writing to retreat and to foster their creative spirit.  Over the course of the retreat participants can choose to enroll in small group writing workshops led by internationally acclaimed authors, Q&A panels, numerous readings, social functions and the opportunity to explore the Icelandic countryside.

Heidi says “I’m really looking forward to the IWR 2017 retreat in April – there are some amazing speakers and I’ve been lucky enough to book on five of the workshops, with; Claudia Casper, Sara Gruen, Bret Anthony Johnston, Madeleine Thien and Meg Wolitzer. Goodness, what a line-up. I cannot wait!”

 

White Light, by Heidi Ball (471 words)

The old man watched from the dryness of the shore. On black sand in a black night. He tilted his head upwards, waiting for the clouds to pass.

He would always come here, he knew that. This was where his heart was held. A tiny beating thing. The land was so vast, so strong, and only here he remembered his place.

This time, he stood with his family, his son by his side, a man now. And they gazed together, waiting for the moon.
He had always told him on each return, that you should never fear the moon, but only fear what you find reflected there of yourself. The only true advice he could think of, as he doubted again what he himself might see.

The moon slipped silently into vision. Its light fell upon them. He tried to remember to breath. The whiteness slid along the ground, over the water and rocks and over their own small frames.

His wife, slipped her hand through the shadows and grasped his. Her hair greyed, as had his, but she hadn’t aged. Her eyes spoke of youth and the chilled air had awoken her complexion.

They aligned themselves, ready to see, ready to understand. This was the land of the moon, created in its likeness and only here, it felt like a homecoming. A resting place for the eternal.

No words were spoken aloud, they were quieted in time. Their annual trip to this place brought that moment of peace. He thought of the next year and the next, and wanted to be here to see them all. His grandchild would make the trip and he could tell her about, it all, you had to feel as well as see.

He closed his eyes to soak in the light. Then opened them wide to see what would be revealed. He was consumed by that moon. Its detail etched into his mind. The variations of its surface, pitted with memory.

His wife turned to him, squeezed his hand one last time that year. She nodded at the moon and smiled. He wondered why, always wondered how it could be, them standing here.

The gentle wind pushed back the veil and he found his hand empty once again. The moment had passed. He appreciated his son’s company with a glance, and turned for a final look up to the sky. He mouthed his thanks.

This is where he’d remember her, his wife. Her laugh, her voice whispering to him. He felt his son’s hand on his shoulder. She had slipped away, but he couldn’t bring himself to let go. This is where they had met, this is where they came each year, and she would always turn up, like tonight, when the light was just right. On the black sand, under the white moon.

 

Falmouth School of Art Guest Speakers announced for spring 2017

The Falmouth School of Art Guest Speaker Programme resumes in February with a series of events featuring acclaimed artists and illustrators…

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Artist Joey Holder starts the season with a talk on 8 February. Working with scientific and technical experts, Holder makes immersive, multi-media installations that explore the limits of the human and how we experience non-human, natural and technological forms. Mixing elements of biology, nanotechnology and natural history against computer programme interfaces, screen savers and measuring devices, she suggests the impermanence and inter-changeability of these apparently contrasting and oppositional worlds: ‘everything is a mutant and a hybrid’. For a recent exhibition – against the backdrop of the emergent field of computational biology and the Google Genomics project – Holder invented ‘Ophiux’, a speculative pharmaceutical company, imagining its use of genetic sequencing equipment and biological machines to collect data from humans and to sample data from other organisms. She explains: ‘It seems as if everything has become a branch of computer science, even our own bodies probed, imaged, modelled and mapped: re-drawn as digital information’.

On 15 February artist Chantal Joffe will be in conversation with Falmouth School of Art’s Director Dr. Ginny Button. Joffe’s figurative paintings usually depict women or girls, from catwalk models, porn actresses and literary heroines to mothers, children and loved ones. Her paintings question expectations of what a feminist art might be, often pointing to how appearances are constructed – whether in a fashion magazine or the family album – and to the choreography of display. Sometimes shown in groups but recently in iconic portraits, her images of women draw loosely on a range of sources such as photographs, magazines and even reflections in the mirror, using distortion to make her subjects seem more real. Her paintings achieve a psychological and emotional force, prompting reflection on ever-changing human relations and the endless complexity of looking.

1 March sees a return to Falmouth of Illustrator, author and Falmouth Honorary Fellow Posy Simmonds. Simmonds’ work includes many books for adults and children, including Literary LifeLulu and the Flying Babies and Fred, the film of which was nominated for an Oscar. Working across a range of formats and contexts, Simmonds is probably best-known for her series of weekly cartoon strips commissioned by the Guardian since 1977. Gemma Bovery, her reworking of Gustave Flaubert’s Madame Bovary into a satirical tale of English expatriates in France appeared first in the Guardian before publication as a graphic novel in 1999. Acclaimed by the critics for its wit and wickedly sharp observation, it was made into a feature film in 2014. Her prize-winning graphic novel Tamara Drewe also became a very successful film, directed by Stephen Frears.

Falmouth School of Art’s new Visiting Professor of Illustration delivers his inaugural lecture on 22 March. Graham Rawle is an internationally admired writer and collage artist whose visual work incorporates illustration, design, photography and installation. He has produced regular series for The Observer, The Sunday Telegraph Magazine and The Times and among his published books are The Card, The Wonder Book of Fun, Lying Doggo, and Diary of an Amateur Photographer. His collaged novel Woman’s World, created entirely from fragments of found text clipped from vintage women’s magazines won wide critical acclaim, described by The Times as ‘a work of genius…the most wildly original novel produced in this country in the past decade.’ He is perhaps best known to some for his long running ‘Lost Consonants’ strip, which first appeared in the Guardian in 1990.

We finish the 2016-17 Guest Speaker Programme with a TateTalk at Falmouth by Fine Art alumna (2001) Jessica Warboys. Warboys works across painting, performance, film and sculpture. Her talk is in association with Tate St. Ives, which in March will present a major solo show of Warboys’ work. The show will feature films, sculptures, large scale paintings, and Sea Paintings commissioned for the show and created along the Cornish coast. In her Sea Paintings, Warboys explores the connection between painting and performance, submerging damp, folded canvas scattered with coloured pigments into the sea, and allowing the movement of the waves to ‘paint’ the canvas.  Her work is informed by personal or collective memories – hystorical, mythical or fictional. Warboys currently lives and works in Suffolk and Berlin and has enjoyed wide international exhibition success, including solo exhibitions. Her work was recently included in British Art Show 8.

Registration is required for these events, and is open now: http://falmouthschoolofart.eventbrite.co.uk

See all Falmouth University events on our website: www.falmouth.ac.uk/events

Writing as art practice; drawing pedagogy; illustrators and communities in crisis…

Senior Lecturers from Falmouth School of Art have been helping shape national debates and dialogues surrounding writing as art practice, drawing pedagogy and reportage illustration, through recent conferences presentations around the UK.

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Dr Neil Chapman, Senior Lecturer on BA(Hons) Fine Art was invited to present a paper and lead a workshop at the ‘Words of Art’ conference at Wimbledon College of Arts.

The conference formed part of a wider Words of Art project, seeking ‘to explore writing as art practice by considering tactile materiality, live spoken word or performative activity, site-specific writing practices and temporality’. Participants investigated ‘bridging gaps between the written form and object-oriented art practices, shifting the focus of writing from the computer screen to the studio, breaking down perceptions of barriers between writing on the one hand and art-making on the other’.

The conference gathered together invited practitioners who use written forms within their own practices and/or are involved in curating and publishing artists’ writing.

 

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2016-11-25-16-00-32Neil said, ‘It was good to be part of an event at which some students as well as staff had the opportunity to show their work. The conference was preceded by a week of writing workshops — an effective way of galvanising interest in the themes among students in the lead up to the conference.

The usual conventions of a conference were disrupted in a number of ways, with diverse forms of presentation including performance readings, sound-art and audiovisual presentation, live drawing of diagrams and presentations assembling fictional elements with historical research. The event made evident the diverse approaches to writing being practiced widely in art education and art research, adding weight to the argument that artists have something new and important to contribute to research culture in the humanities and beyond.

In forthcoming work, staff of Falmouth School of Art will develop the network of those concerned with the politics and practice of writing in art, working with colleagues at Linnaeus University in Sweden and with staff and students at UAL to develop new work and research on questions of writing and the image’.

 

Dr Joe Graham, who this year joined the BA(Hons) Drawing team at Falmouth as Lecturer, delivered a paper at the 2016 iJADE (International Journal of Art & Design Education) conference, this year themed ‘Drawing’ and held at the University of Chester. The iJADE journal is published by NSEAD (National Society for Education in Art & Design), and the conference was entirely geared around pedagogical discussion of drawing used by communities within Art & Design Education. Among the keynote speakers was Simon Betts, External Examiner to Falmouth.

ijade-thumb ijade-thumb-2016Papers spanned a wide variety of topics, demonstrating the value of Drawing to a range of disciplines far beyond art and design. Joe’s paper, titled Autonomic Drawing: Postphenomenological Drawing Research discussed his latest research from a pedagogical standpoint, describing the (phenomenological) method of variational practice as it is used within his work.

Joe demonstrated the application of the practice with the aid of nine A3 graph paper drawings, produced specifically to test this method, and explains, ‘The method of variational practice is used to seek invariant (essential) forms of understanding from within a variety of work presented for display. When used in combination with observational drawing, it renders the drawings sensible as ‘data’ i.e. results. This means the more fluid question of what drawing ‘records’ (re-presents) can be decided on an empirical basis. This outcome has useful pedagogical implications’.

 

Dr Catrin Morgan, Senior Lecturer on MA Illustration: Authorial Practice, delivered a paper at the International Illustration Symposium at Edinburgh College of Art. The conference was titled ‘Shaping the View: Understanding Landscape Through Illustration’.

Shaping the View: Understanding Landscape through Illustration

Shaping the View: Understanding Landscape through Illustration

Catrin’s paper, The Myth of Reportage Illustration, explored ideas of authenticity and mark making in reportage illustration. Her paper was grouped within the panel, ‘Landscape as metaphor’, and examined the way in which Illustrators are increasingly being hired to report on and represent communities in crisis (communities in Syria, people living in refugee camps and endangered or destabilised communities for example).

Catrin explains, ‘I am concerned with the ethical implications of aesthetic choice made by these illustrators and what it means as a creative practitioner to report back on the lives of other communities. What voice do we use to do this? How might we choose to foreground our own presence in the situation we are depicting? Are there a set of aesthetic conventions that are establishing themselves as the language of authenticity?

Being critical of and asking questions about how artists address challenges faced by communities is vital to ensuring that the role that illustrators (as creative practitioners) play in society is truly valuable and useful. I am concerned that all areas of illustrative practice are interrogated critically, particularly those that have the social and political relevance to vulnerable communities’.

Among examples Catrin discussed were Anna Cattermole, who works with communities in Cornwall, Gill Gibbon who draws at arms fairs and Olivier Kuglar and George Butler who have reported on various communities internationally.

Visiting Professor appointments at Falmouth School of Art

Falmouth’s Visiting Professor programme brings international speakers of the highest calibre to the university to share their knowledge, insights and experiences with students, staff and wider public. Visiting Professors are appointed for three years, delivering both public lectures and working with our students during their annual visit. The Falmouth School of Art is delighted to announce new appointments this autumn of the artist Hew Locke as Visiting Professor of Fine Art and illustrator and writer Graham Rawle as Visiting Professor of Illustration.

Hew Locke, 2016, by Charlie Littlewood

Hew Locke, 2016, by Charlie Littlewood

Hew Locke is one of Falmouth’s most celebrated alumni and he’s keen to revive his special connection with the university: ‘I am very much looking forward to taking up this appointment, and to travelling down to Falmouth once again. My time at the School of Art was an important part of my career, and experiences I had there still resonate in my work today.  I hope in (my) turn to be able to make my own positive contribution to students’ development over the next three years.’

Born in Edinburgh, Locke spent his formative years in Georgetown, Guyana, before returning to the UK to study. He received his BA(Hons) Fine Art in 1988 from Falmouth, then an MA in Sculpture from the Royal College of Art, London in 1994. His investigation of the display of power includes royal and swagger portraiture, coats-of-arms, public statuary, trophies, financial documents, weaponry and costume.

The Nameless (2010), Installation view, Hew Locke. Photo courtesy Hales Gallery.

The Nameless (2010), Installation view, Hew Locke. Photo courtesy Hales Gallery.

 

Maritime imagery and symbolism have been ongoing preoccupations in his work, along with reflections on his upbringing in Guyana. Locke has work in numerous collections including Tate, the British Museum, the V&A, Brooklyn Museum and the Perez Art Museum Miami. He has had solo shows in public galleries in the UK and the USA, and has taken part in Biennials in Hangzhou, China; Kochi, India; Prospect3, Miami; Guangzhou, China; Valencia, Spain and San Juan, Puerto Rico.

Locke’s inaugural Professorial Lecture, for which registration is now open, takes place on Wednesday 16 November, 2016.

Graham Rawle. Photo credit: Jenny Lewis

Graham Rawle. Photo credit: Jenny Lewis

Internationally admired, Graham Rawle is one of the UK’s most interesting and original visual communicators, perhaps best known for his long running ‘Lost Consonants’ strip, which first appeared in the Guardian in 1990. His flair and passion for education has also been recognised through honorary appointments and awards. As a previous contributor to both Falmouth School of Art’s guest speaker programme and its Illustration Forum he already has a strong interest in Illustration here.

Of his appointment, Rawle says, “It’s a great honour for me to have been made Visiting Professor of Illustration at Falmouth University. I have long admired the School of Art’s commitment to nurturing original and individual thinking in art and design. My own research in sequential design and visual narrative spans across illustration, literature and, more recently, film. I’m interested in how the principles of storytelling, particularly three-act structure, can be employed in the development of design strategies across a wide range of disciplines. I look forward to finding ways of making connections with students, staff and researchers at Falmouth”.

(C) Graham Rawle, Woman's World, close-up

(C) Graham Rawle, Woman’s World, close-up

Rawle is a writer and collage artist whose visual work incorporates illustration, design, photography and installation. He has produced regular series for The Observer, The Sunday Telegraph Magazine and The Times and among his published books are The Card, The Wonder Book of Fun, Lying Doggo, and Diary of an Amateur Photographer. His collaged novel Woman’s World, created entirely from fragments of found text clipped from vintage women’s magazines won wide critical acclaim, described by The Times as ‘a work of genius…the most wildly original novel produced in this country in the past decade.’ His reinterpretation of The Wizard of Oz won the Best Illustrated Trade Book Award as well as 2009 Book of the Year at the British Book Design Awards. The Card, was shortlisted for the 2013 Writers’ Guild Award for fiction.

Rawle has established himself as a ground-breaking research-led writer, illustrator and designer, evidenced through the range and depth of key scholarly texts that cite and analyse his work. He teaches on the MA Sequential Design/Illustration and MA Arts and Design by Independent Project courses at Brighton and in 2012 he was awarded an honorary doctorate for Services to Design from Norwich University of the Arts. He will give his inaugural Professorial Lecture at Falmouth in March 2017.

MA Illustration host symposium on Friday 11 November as part of Cornwall Contemporary Poetry Festival

Falmouth University’s MA Illustration: Authorial Practice will be hosting a symposium next Friday 11 November as part of the Cornwall Contemporary Poetry Festival.  The event will take place at 3.00 – 5.00pm in Lecture 2 on the Falmouth campus.  The event is unticketed and free to both Falmouth University staff and students.  Please arrive early to secure your seat – doors will close once the seating is full.

The theme is ‘Creative collaboration between poets and illustrators’ and will be chaired by Dr Kym Martindale, Course Coordinator on Falmouth’s BA Creative Writing.  The symposium will feature poetry readings by Luke Thompson and Em Strang, and panel discussions with illustrators Mairead Dunne and Mat Osmond, with Steve Braund, Course Coordinator on Falmouth’s MA Illustration and Director of Atlantic Press.

Further information here: Cornwall Contemporary Poetry Festival

ma-illustration-symposium

Former Visiting Professor Deborah Levy shortlisted for Man Booker Prize

Falmouth School of Art is delighted to congratulate Deborah Levy on being shortlisted for the Man Booker Prize 2016, for her novel Hot Milk (Hamish Hamilton).Deborah Levy photographed at home in north London for the Observer by Sophia Evans.

Levy served as Visiting Professor of Writing in Illustration to Falmouth School of Art between 2012 and 2015, delivering a series of well attended and thought-provoking lectures to students and the public.

Levy works across fiction, performance and visual culture. She trained at Dartington College of Arts, leaving in 1981 to write a number of plays, highly acclaimed for their “intellectual rigour, poetic fantasy and visual imagination”, including Pax, Clam, Heresies for the Royal Shakespeare Company, and Macbeth – False Memories, all published in Levy: Plays 1 (Methuen).

Her novels include the 2012 Man Booker Prize shortlisted, Swimming Home, translated into 14 languages, Beautiful MutantsSwallowing GeographyThe Unloved (all reissued by Penguin), Billy and Girl (Bloomsbury). Her 2012 short story collection Black Vodka was short listed for The Frank O’Connor Award and the BBC International Short Story Award. Her long form essay, ‘Things I Don’t Want to Know’, a response to George Orwell’s 1946 essay ‘Why I Write’ and Virginia Woolf’s A Room of One’s Own is published in hard back by Notting Hill Editions, paperback by Penguin.

Bookmakers William Hill have declared Levy 2/1 favourite to win the prize.

2016 Guardian interview with Deborah Levy

The 2016 Man Booker shortlist:

The Sellout by Paul Beatty (Oneworld)

Hot Milk by Deborah Levy (Hamish Hamilton)

His Bloody Project by Graeme Macrae Burnet (Contraband)

Eileen by Ottessa Moshfegh (Vintage)

All That Man Is by David Szalay (Vintage)

Do Not Say We Have Nothing by Madeleine Thien (Granta)

More about the shortlist

Illustration Award for Mat Osmond

The Michael Marks Awards are now in their seventh year, and in 2015 a new ‘Best Illustration’ prize was awarded which was won by Mat Osmond, Senior Lecturer on MA Illustration at Falmouth.  Speaking about the new Illustration prize, Wordsworth Trust Director Michael McGregor says “This year for the first time we are delighted to announce an additional award for illustration, promoting the poetry pamphlet as an object of visual as well as of poetic beauty”.  The new award ‘recognises outstanding illustration of a poetry pamphlet published between July 2014 and June 2015’.  The judge, Nicholas Penny, was asked to ‘consider illustration in any medium and look for a subtle and sustained relationship between image and text, as well as the overall quality of the images’.

The Awards have been presented by The Wordsworth Trust and the British Library, with the support of the Michael Marks Charitable Trust.  They have established themselves as one of the most significant awards in contemporary poetry, designed to raise the profile of poetry pamphlets, recognising the enormous contribution that they make to the poetry world.

Illustration Award Judge, Nicholas Penny (Director of the National Gallery, London from 2008 – 2015), wrote the following piece of Mat’s award winning pamphlet:

“Mat Osmond’s pamphlet Deadman and Hare:part 1, Fly Sings, published by Strandline Books, designed by Pirrip Press, is illustrated in an elegant but economic manner with black and white images which are sometimes miniature and specific and sometimes mysteriously abstract. They provide a sort of pictorial punctuation, cunningly placed and spaced, between and beneath the lines – thus, one cannot miss them or think of the poetry without them.”

The winners were announced at a special dinner at the British Library attended by an invited audience of poets, publishers, critics and supporters of poetry on the evening of Tuesday 24 November 2015.  The winner of the Poetry Pamphlet Award was ‘The First Telling’ by Gill McEvoy and the Publisher’s Award was won by Edinburgh based Mariscat Press.

Guest Speaker – Graphic Novelist Posy Simmonds

Posy Simmonds is the author and illustrator of many books for adults and children, including Literary LifeLulu and the Flying Babies and Fred, the film of which was nominated for an Oscar. Simmonds’ style gently satirises the English middle classes and in particular those of a literary bent. Her published books often feature a “doomed heroine”, much in the style of the 18th- and 19th-century gothic romantic novel, to which they often allude, but with an ironic, modernist slant.

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Simmonds has contributed a series of weekly cartoon strips to the Guardian since 1977, and has won international awards for her work. Her graphic novel, Gemma Bovery, was acclaimed by the critics for its wit and wickedly sharp observation A.N.Wilson called it ‘a work of genius’ and more than one reviewer suggested that it should be entered for the Booker Prize; it was made into a feature film, directed by Anne Fontaine in 2014 – to be released in the UK in 2015. Another graphic novel Tamara Drewe became a very successful feature film directed by Stephen Frears.

“Posy Simmonds is, without a shadow of a doubt, one of a handful of absolutely brilliant cartoonists currently working in the English language… Few cartoonists have demonstrated the range that Simmonds has displayed over the years. Jules Feiffer would be an obvious comparison, but even Feiffer lacked the sheer density of Simmonds’ most accomplished pieces.” Bart Beaty, The Comics Journal #227 

Falmouth Campus Lecture Theatre, Woodlane

Tickets free but booking essential: posysimmondsfalmouth.eventbrite.co.uk 

Deborah Levy returns to Falmouth as Visiting Professor

Deborah Levy photographed at home in north London for the Observer by Sophia Evans.

Falmouth School of Art Professorial Lecture – Deborah Levy

Deborah Levy is a writer working across fiction, performance and visual culture. She trained at Dartington College of Arts, leaving in 1981 to write a number of plays, highly acclaimed for their “intellectual rigour, poetic fantasy and visual imagination”, including Pax, Clam, Heresies for the Royal Shakespeare Company, and Macbeth – False Memories, all published in Levy: Plays 1 (Methuen).

Deborah has written five novels: the 2012 Man Booker Prize shortlisted, Swimming Home, translated into 14 languages, Beautiful MutantsSwallowing GeographyThe Unloved (all reissued by Penguin), Billy and Girl (Bloomsbury). Her 2012 short story collection Black Vodka was short listed for The Frank O’Connor Award and the BBC International Short Story Award. Her long form essay, ‘Things I Don’t Want to Know’, a response to George Orwell’s 1946 essay ‘Why I Write’ and Virginia Woolf’s A Room of One’s Own is published in hard back by Notting Hill Editions, paperback by Penguin.

For BBC Radio 4, Deborah wrote two acclaimed dramatisations of Freud’s most famous case studies, ‘Dora’ and ‘The Wolfman’. Deborah has lectured at The Freud Musuem, Goethe Institute, Serpentine Gallery, Tate Modern, The Henry Moore Foundation, and The Royal Academy School. She was Fellow in Creative Arts at Trinity College, Cambridge from 1989-1991 and AHRB Fellow at The Royal College of Art 2006-9 where she worked with animators and illustrators on a research project titled, ‘The Life of Objects – What Objects Tell Us About Our Secret Lives’. A BBC Radio 3 documentary presented some of this research in a programme titled The Glass Princess.

Deborah will be collaborating with Andrzej Klimowski, Professor of Illustration at the RCA, on a graphic novel for publishers Self Made Hero, working from her short story ‘Star Dust Nation’.

Deborah Levy’s early work is being reissued and has recently been reviewed by Alex Clark in The Guardian.

Wednesday 30 April 2014 5-6pm – Falmouth Campus Lecture Theatre

Guest Speaker – Graham Rawle

(C) Graham Rawle

Graham Rawle is an author, artist and designer based in London. His weekly Lost Consonants first appeared in the Weekend Guardian in 1990 and ran for fifteen years. He will be joining us as part of the Falmouth School of Art Guest Speakers series, to talk to students from all our courses about his work and practice.

Rawle has produced other regular series for the Observer, the Sunday Telegraph Magazine and The Times. Among his published books are The Wonder Book of Fun, Lying Doggo and Diary of an Amateur Photographer.

His collage novel Woman’s World, created from fragments of found text clipped from women’s magazines, won wide critical acclaim, described by The Times as ‘a work of genius…the most wildly original novel produced in this country in the past decade’.

Rawle’s reinterpretation of The Wizard of Oz won the ‘Best Illustrated Trade Book Award’ as well as 2009 ‘Book of the Year’ at the British Book Design Awards. His latest novel, The Card was published in June 2012.

Rawle has exhibited widely internationally and given lectures about his work at educational institutions, museums, theatres, literary festivals, galleries, conferences, bookstores and cinemas. He teaches on the MA Sequential Design/Illustration at the University of Brighton, and was recently awarded an honorary doctorate from Norwich University College of the Arts.

Thursday 17 April 2014  – 5-6pm, Falmouth Campus Lecture Theatre