Beth Pinner graduated from BA(Hons) Fine Art in 2017. Toward the end of her studies, she applied for and was awarded the Groundwork Field Trip Residency; a five-day field trip visiting granite quarries in the south west as part of a team of academics and artists, led by Dr. David Paton. The residency was part of the Groundwork project and Beth’s place was funded by Falmouth School of Art. Beth shares her experience of the residency…
‘The opportunity to take part in David Paton’s field trip, ‘Tracing Granite – In search of a White Cross’, arose when I was completing my studies of Fine Art at Falmouth University earlier this year.
My art practice had developed alongside an interest and very basic knowledge on geology in Cornwall. Heavily influenced by the surrounding coastal landscape, I became fascinated by the dramatic textures and formations found in the open rock faces where the land met the sea. I was fixated on the notion of an entirely wild landscape, sculpted by nature, and made sculpture and print work surrounding these themes.
It was this (slightly obsessive) interest in rock that led me to gain a place on the 4-day residential field trip, alongside geologists, stone masons, archeologists, artists, writers – an eclectic mix of people from across the country who met, mostly for the first time, at a National Trust bunk house near Helston. With the bunk house as base for the next three nights we undertook a tour of granite quarries across Cornwall, moving to a second bunk house for the final two nights to extend the reach of the trip. Over the duration, our group fluctuated in size as people joined at various stages and quarries to share their own accounts of living and working with granite. Hearing their stories gave a more personal sense of place and insight into how granite in the south west has shaped and influenced individuals lives for generations.
Out of the eight that we visited, only two of the quarries were still in use. The six others were disused and at various stages of reclaim by nature, some so far overwhelmed that, to someone with little knowledge of quarrying like myself, any previous narrative of human interference was hard to comprehend at first. There weren’t any clear differences between the man-made rock face and the naturally formed rock face that I thought I might see. On reflection, however, the quarried sites have become increasingly obvious as man-made. If these rock faces were at the coast one wouldn’t think twice about them being naturally sculpted, but here, in land, they felt out of place, and purposeful.
Having never visited a granite quarry (or any quarry) before becoming involved with this trip, I had no idea what to expect from the four days. Everybody’s enthusiasm to share knowledge fueled a want to learn more, and I have come away feeling truly inspired. Not only by the awe-inspiring places that we visited, but by all of the people that have been involved.
At the time of applying back in June, I hadn’t imagined how helpful this opportunity would prove to be in re-inspiring a desire to move forward with an art practice after university, and by connecting me to some amazing people who I now look forward to working with more in the near future. There are some great things to come from ‘Tracing Granite – In search of a white cross’ and I for one can’t wait to see them all unfold.’