BA(Hons) Fine Art Second Year Exhibition

The Poly, Falmouth, is host again this year to the second year exhibition by BA(Hons) Fine Art students. The student curatorial committee worked with Falmouth alumni Cat Bagg and Rosie Thomson-Glover of Field Notes, to set up the show and make any necessary changes to the curation.

The student curatorial committee share their experience of putting up the first half of the show, as they prepare for the launch of the second half this evening:

‘Students found the Poly enormously supportive in allowing us to use space and their equipment; for example, allowing one of our artists to use the grand piano in the upper space, and giving us a library room we hadn’t seen before, adding a wonderful new dimension for us to work with in order to take advantage of the space’s antiquated atmosphere and natural light.

Transporting work from the university in the pouring rain didn’t particularly hinder the set-up, and by lunch time the following day the show was basically completed and preparations for the Private view began. By 5:30 we’d already had 100 people through the door, and there was a real buzz to the evening, with an estimated 250-300 who came along. The wine and nibbles were gone very quickly, but the Poly allowed us to work alongside them and use their bar to serve extra drinks.

We’re now preparing to do it all again for the second show, which will contain more work with sculpture and audio-visual content, so we’re excited to see how we can shape the show differently in order to accommodate this’.


The second half of the exhibition is open to the public 10-5 on Wednesday 14 and Thursday 15 March, and 10-1pm on Friday 16th, at The Poly, Church Street, Falmouth.


Shelterbox exhibition by BA(Hons) Drawing Students

BA(Hons) Drawing students from all years are exhibiting work during February and March in the Shelterbox Visitor Centre, Truro.

Course Coordinator & Senior lecturer Isolde Pullum says, ‘The students were very moved by their recent visit to Shelterbox. I think it really hit home to many of them the importance of an immediate response to an emergency situation. The idea to make drawings that could raise money came from them, and the theme of Temporary Housing seemed broad enough to encompass a range of different approaches and ideas.’

‘Also in the exhibition are The History Box drawings, which aim to capture the passage of time by including elements of change and movement within the same drawing. A drawing, unlike a photograph, has the potential to encompass time passing by the artist’s reaction to changes. The staff and students really welcome this opportunity to work with Shelterbox and hope it can be the start an ongoing relationship.’


All the drawings on display can be bought, some for as little as £10 each, with all the proceeds going to ShelterBox.  Visitor Experience Assistant Ellie Howell-Round says, ‘This is very generous of the Drawing students, and the artworks are fascinating and thought-provoking. Everyone can empathise with the people that ShelterBox helps, as we all fear extreme weather and appreciate the importance of safety and shelter.’

Honorary Fellow Mark Dion – Theatre of the Natural World

Artist Mark Dion, Honorary Fellow of Falmouth University, has a new show opening this week at Whitechapel Gallery, London. From the Whitechapel’s website:

Explorer, collector, activist and conjuror of theatrical environments American artist Mark Dion (b.1961) has travelled through rainforests and rubbish dumps to reveal the wonder and fragility of life on earth. Dion uses specimens – natural and manmade – to make uncanny representations of these environments. His drawings, sculptures and installations draw on the techniques of scientific enquiry and museum display; and on the telling of natural histories.

Mark Dion, The Wonder Workshop, 2015 (detail), dark oak cabinets, epoxy resin, paint, 124 magic sculpt objects, installation view of Future Histories: Mark Dion and Arseny Zhilyaev at Casa dei Trei Oci, Venice, 2015. Courtesy V-A-C Foundation, Moscow

We embark on a journey through a sequence of installations created between 2000 and the present. The exhibition begins with The Library for the Birds of London (2018), a new commission continuing a series of aviaries Dion has created since 1993. The roomy sanctuary is a temporary home to 22 zebra finches, which are well-known for being social creatures. Visitors are invited into the aviary, which has an apple tree at its centre, referencing the tree of life. Over 600 books devoted to ornithology, environmentalism, literature and the natural sciences surround the birds. A scholar’s study invites us to unravel intricate drawings and models; while the Bureau for the Centre of the Study for Surrealism and its Legacy displays the strange magic of obsolete things. The muddy banks of the Thames have also yielded their treasures for poetic display in a gigantic cabinet; while The Wonder Workshop displays the ghosts of animals and instruments, many of them extinct and obsolescent. Each immersive environment is also a habitat, evoking the characters that observe, conserve or exploit the natural world.

Theatre of the Natural World opens on 14 February, until 13 May 2018.


Last chance to see…at Imagine Falmouth

Beth Garnett, alumna of MA Illustration: Authorial Practice, is currently showing a collage – From the Headland at Mawnan I – as part of Falmouth Art Gallery’s Imagine Falmouth exhibition until this Saturday. The piece was produced during Beth’s participation in Falmouth School of Art’s Observational Drawing Intensive last July.

Beth Garnett, From The Headland At Mawnan I, 2017, Collage

After the success of Falmouth Art Gallery’s inaugural submissions show last year, ‘Imagine Falmouth’ has grown in scale, and is now a bi-annual exhibition and arts prize. The gallery invite emerging and established artists from across the county to submit their work. With no theme and no restriction on medium, the exhibition has reflected the very best of Cornish art today. The exhibition, which opened in November, closes on Saturday 20 January.

Falmouth School of Art Intensives offer a selection of 5-day courses for artists and art educators, all taking place in the studios and grounds of Falmouth Campus, and the surrounding area. Of her experience at last summer’s Intensive, Beth says, ‘The course was a really great timeout from real life to get back to drawing again, in beautiful surroundings. The tutors were supportive and offered really practical advice. The group size wasn’t too big and we had a lot of fun. I was able to find new directions for my work and new ideas for my process which has really refreshed my practice. I’m am sure will continue to impact on my drawing work for a long time to come’.

for 2018, Falmouth School of Art will run three Intensives; in Drawing, Abstract Painting and The Figure. Course descriptors will soon be available online, at, where you can also find images from previous intensives, terms and conditions and a short application form.


Keiken Collective – a productive finish to 2017…

Keiken at FOMO

Keiken, a collective of artists comprised of alumni from Falmouth School of Art, co-founded by Tanya Cruz, Hana Omori and Isabel Ramos, have enjoyed success since graduation and regularly provide opportunities for recent graduates and current students to collaborate with them. Autumn and winter 2017 saw Keiken engaged in projects around the UK…  

Keiken performance and installation at Clinic //2

Keiken performance and installation at Clinic //2

Keiken’s performance and installation piece, Silicone_Animism | The Birth of Mother Digital, was presented at Clinic //2 at the Oxo Tower, London, as part of a group show for the London Design Festival. The piece included the collective’s virtual reality film @MotherDigital (Tanya Cruz, Hana Omori, Jess Pemberton, Isabel Ramos, video design by Keiken’s George Stone and sound by Oak Matthias), alongside durational performance accompanied by live sound; a truly visceral atmosphere was created by 700ok (current Falmouth School of Art students Jasper Golding, Auguste Oldham and Zac Pomphrey) using generative code, in conjunction with sound artist Nati Cerutti.

Performers occupied the installation wearing costumes designed by recent graduate, Nine Derricott. Clad in silicone pregnancy bellies and PVC and reflective 3M garments, performers, in reference to the revolution of AI, explored innate feelings of connection usually associated with mother and child, in a world where the human is intertwined with the digital. Current BA(Hons) Fine Art student Alberta Shearing wrote the score and with another student Haruka Fukao performed extraordinarily alongside other performers, Nine Derricott, Kat Cashman, Sian Fan, Monty Fitzgerald, Si Garner, Sam Hall, Coral Knights, Beth Mellet and Julia Mallaby. In November, the film @MotherDigital was transmitted into space by Jon Pettigrew as part of Planet3artnews.

Keiken at Disturbed, Hacked, Reassembled

A group show curated by Drive-Thru at Lewisham Arthouse featured an adaptation of Silicone_Animism | The Birth of Mother Digital, as part of ‘Disturbed, Hacked, Reassembled’, an event which explored how artists are employing technology to stage, interrogate and celebrate the digital female body. Keiken’s interactive installation, again with sound designed by 700ok, used VR, video and sound to trace the birth of the digital; a giant networked space fused with human interaction and technology.

The installation, representative of an office environment, featured a pregnant woman working in Silicon Valley, who has

Agatha Gothe-Snape, Every Artist Remembered with Keiken, 7 October 2017, Frieze London, Regent’s Park, London. Photo: Sofia Freeman/The Commercial, Image courtesy The Commercial, Sydney

relationships with the office furniture in an allegory of Late Capitalism and animism (video design Keiken and George Stone, sound by Nati Cerutti). This adaptation was re-exhibited by Keiken as part of ‘Hervisions’ at Second Home, London.

In other recent projects, Keiken performed in Every Artist Remembered (2017) by Agatha Gothe-Snape at Frieze Art Fair, London; in November they led a performative workshop for Goldsmith University’s BSc Digital Arts Computing, and in a return to Falmouth, they performed at FOMO, the first Falmouth Art Publishing Fair.

In January 2018, Keiken will be hosting a workshop and event under keiken° mind u as part of Vorspiel transmediale, Berlin.


First Year BA(Hons) Drawing – A Pop Up Exhibition.

The first year BA(Hons) Drawing students transformed their studio to create a pop up exhibition, curated by John Howard, Associate Lecturer. The exhibition was held in the drawing studios and featured over 100 drawings from the students’ first term of work and covered a wide range of subjects and artistic techniques.

The students worked together to prepare the space for the exhibition. First year student Maria Meekings felt that this process shifted the collective vision from viewing their work as practice pieces, to viewing the pieces in their own right and she was excited to get feedback on her work. “Being able to present work to fellow practitioners and the wider public is gratifying in that it helps you understand that as an artist you are part of a community and that your work exists in a context of both other pieces of art and as something which others can take pleasure or interest in, and not merely as art for its own sake.”

The exhibition also prompted discussion among the students about what they had learnt during this first term of immersion, their response to each-others’ pieces and the aspects of the course that they had most enjoyed so far. Maria says “Being able to explore a variety of techniques and viewpoints has been quite fascinating and useful I feel to understand myself as an artist and the work I want to produce. I think that the understanding in many ways is just as important as the work I’ve produced, if not more, as that is part of my future while each piece finished is automatically assigned to my past.

Reflecting on the process of drawing, Senior Lecturer Peter Skerrett considers that it can be a very introspective activity. “Having the opportunity to share this practice with a wider audience enables the students to see their work from a critical distance, almost like encountering it for the first time. This increases their ability to understand their own and their colleagues work from a more critical and reflective viewpoint.”

Isolde Pullum, Course Coordinator for BA(Hons) Drawing, was impressed with the students’ professional manner and the way in which they worked together to put the show up in a very short space of time. She was also delighted with the quality of the drawings produced so early in the course, during which time they have created work on location during study visits to Tresco on the Isles of Scilly, The National Trust’s Trelissick, Trebah Garden and Paradise Park wildlife sanctuary. They also visited ShelterBox in Truro to prepare for an upcoming project for next term.

There will be more opportunities for the students to develop their professional practice and to exhibit their work, as future exhibitions are planned for the Fox Café on the Falmouth Campus.

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Student exhibition responds to Venice Biennale…

BA(Hons) Drawing and BA(Hons) Fine Art students recently returned from a study visit together to the Venice Biennale, and responded by creating a student-led pop-up exhibition in the attic of Falmouth Campus’s Belmont Studios. Work included drawing, painting, print, photography, sculpture and installation.

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