FOMO – Introducing Falmouth’s first Art Publishing Fair

F O M O – the first ever Falmouth Art Publishing Fair – opens at 4pm on Friday 29 September for a weekend of talks, workshops, screenings, artists’ book works, performances, zines and comics and readings.   

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Organised by Falmouth School of Art’s Senior Lecturers Neil Chapman, Gillian Wylde and Carolyn Shapiro and Associate Lecturer Maria Christoforidou, F O M O will take place at Falmouth Art Gallery and the Library of the Municipal Buildings, The Moor, Falmouth, and brings together Falmouth School of Art staff and students with local participating institutions including: Falmouth Art Gallery, Falmouth Library, Tate St Ives, Stranger Collective, Urbanomic, Atlantic Press, Burning House Books, BLNT Collective, Keiken and Krowji. 

F O M O will include contributions from academic and research colleagues from: Royal  Holloway University, Cambridge University, West Dean College, Aarhus University, Plymouth University, Goldsmiths University of London, Research Center for Material Culture Netherlands and from across Departments at Falmouth University.

Generously supported by Falmouth Art Gallery, the event has grown out of discussion between colleagues across different departments at Falmouth University. From meetings as a Research Forum, finding common ground between their varied interests, the group started to consider joint research and how best to team up for that work. One of the organisers, Neil Chapman, reflects on the development of the event, and what we can look forward to over the weekend…

‘As a research group, we share a commitment to collective work. That’s both a pragmatic interest and a critical position too. Most often, when people work together it’s so that a workload can be shared. But collective work is unpredictable and inefficient too and these are values that might tend to be lost in the current climate. There is a lot of emphasis in the contemporary workplace on individuals’ success and the competition that results can be destructive. Our title for the event – Fear of Missing Out – is on some level an ironic allusion to these issues.

We are all of us, in different ways, committed to discursive work, to the climate of ideas that surrounds ‘making’ in our different disciplines. And that’s a foundation for the publication fair too, reflected in the many talks, screenings, readings and performances scheduled over the weekend. F O M O provides an opportunity for us to invite our colleagues and friends to Cornwall. It’s good for the cultures of creative practice here in Falmouth. F O M O will bring lots of people into contact who might not have met otherwise. We’re excited to imagine the new partnerships and the new work that might result.

The aim has been to inaugurate the kind of event that we would want to go to ourselves, also the kind of event that students would be excited about. Henrietta Boex, Director of Falmouth Art Gallery, has been extremely supportive. We’ve made all kinds of demands on her and she seems never to say no to anything; the Gallery’s Glyn Winchester has also been a great support. The independence of the project is a way of underscoring our own priorities, which are evident in all kinds of ways through the framing of the event: the name, the graphics, the publicity, the choice of which artists, writers and publishers to invite. There are many Art Publishing Fairs in the UK and abroad and we have had an eye on some of those. But in another sense this Fair has been invented from scratch. And for that reason it will work well as a foundation for bigger and more varied research initiatives to come. We’re talking about a future peer-reviewed journal, discursive gatherings – dream dinner date/fantasy football team type things with exciting living people—maybe some dead folk too, ghosts. No zombies. Digital Roland Barthes’ Camera Lucida . . .

It’s particularly good to be working with current students and recent Falmouth University graduates. As part of FOMO, Graham Taylor who studied Fine Art and who graduated in 2015 is curating an exhibition entitled Practically Outside, involving a dozen or more Falmouth alumni. His contribution makes a direct engagement with the FOMO ethos, looking critically at what it means to be an ‘emerging artist’, engaging in the most thoughtful way with different platforms of exhibition and print publication.’

F O M O also includes contributions from writers, artists, poets, publishers, activists, hackers, Falmouth University alumni and musicians both national and international.

F O M O is an inaugural event, bringing a new art research collective into being, which, over forthcoming months will stage events in different forms and at different locations, connecting diverse networks.

https://falmouthartpublishingfair.wordpress.com/

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New digital artwork from Rosie McGinn, on AVD

“Tonight you’re mine, completely…”, the lyrics from a Shirelles’ classic play out to a pumped up Prince Naseem Hamed staring down his opponent Kevin Kelley

The scene features in new artwork from British artist and 2015 BA(Hons) Fine Art alumna Rosie McGinn. Boxing Series 1  is released on AVD, a digital art platform designed for mobile consumption. Artists provide the art, and AVD provides the coding. Not only offering an alternative to the white gallery space, the technology reduces work to the width of a mobile screen, allowing the viewer to determine their journey through the artwork by finger swipes, rather than having it curated for their physicality.

McGinn’s video pieces are embedded within a stream of fake adverts, porn, betting deals and forums, in the midst of which is the video piece ready to be played. McGinn brings the ever-popular, often controversial sport of boxing to the art world for evaluation, juxtaposing animalistic pre-fight stare-downs with love songs.

The first of the series of four Boxing Stare Downs was released on 17 September, with the next being released at three-day intervals. To view, go to a-v-d.xyz on your mobile.

 

FSA Visiting Professor, Hew Locke, exhibiting in Bremen and Miami

Hew Locke, our appointed Visiting Professor of Fine Art, has two new projects; ‘Cui Bono’ in Bremen, and ‘Reversal of Fortune’ in Miami.

Cui Bono installed at Bremen Rathaus. Photo ©Indra Khanna 2017

‘Cui Bono’ is a 4 metre long ship that Hew has created.  The work was commissioned by Kunsthalle Bremen and installed at Rathaus Bremen, Germany, as part of the exhibition ‘The Blind Spot: Bremen and Art in the Colonial Era’.  A video on the installation can be found here.

Detail of Cui Bono ©Hew Locke & DACS

The installation in the Town Hall’s upper gallery is an invitation to grapple with Bremen’s maritime commercial and colonial history.  The exhibition takes place in Bremen Town Hall, Germany, from 5 August to 19 November 2017.  For more information on the project click here.

 

‘Reversal of Fortune’ is a new commission for Fringe Projects Miami, in an empty jewellery store in downtown Miami’s historic Art Deco Moderne DuPont Building.  The exterior of the installation is viewable from SE 2nd Ave, 24 hours a day, from 8 September 2017 to 31 January 2018.

Chinese Imperil Gold Loan 10 ©Hew Locke & Hales Gallery

Since the financial crash of 2008 Hew Locke has been buying original antique share certificates from old companies, and painting directly on them.  In ‘Reversal of Fortune’ fifteen have been selected and printed up to create an installation on the facade, and inside the vault, of an empty store.  He has chosen these defunct shares sometimes for their interesting history, and sometimes for their beauty.  He highlights historical and economic cycles. Commerce has its’ ups and downs, yet it is human nature to be optimistic, to continue to trade.  New-born companies garland their shares with confident typography and classical motifs implying stability and worth.  Figures representative of the local population in the areas in which the companies operated are sometimes seen breaking-through.  These are silent witnesses, those who paid the most to create the wealth without receiving the benefit.  Locke’s series of shares is also a wry acknowledgement of the commodity value of contemporary art.

 

Hew Locke will be a guest speaker for Falmouth School of Art later in the year. Watch out for details of our upcoming ‘Guest Speaker’ series.

Falmouth’s Visiting Professor programme brings international speakers of the highest calibre to the university to share their knowledge, insights and experiences with students, staff and wider public.  Visiting Professors are appointed for three years, delivering both public lectures and working with our students during their annual visit.

 

Sophie Wright, BA(Hons) Fine Art student – new exhibition

Final year BA(Hons) Fine Art student Sophie Wright, has and exhibition opening in Penryn on 5 August, with fellow artist and student Rebecca Pearce-Davies. Heretics of the Mundane runs until 26 August, and all are welcome to the Private View from 6pm on 4 August.

https://www.facebook.com/HereticsoftheMundane/ 

‘f u t u r e – o r e’ Private View on Friday 30 June

Future-ore resides in the cortex of Redruth and is powered by their profitable history in copper and tin mining. The success is now grounded into a state of absence. A memory awaiting rejuvenation. The streets appear empty as imagery of the past paints a distance between the present. The community is tethered to the past without any direction of the future. Whilst the location is scattered with engine houses and chimney stacks all overgrown with nature, they stand as monuments. This architectural heritage is stamped with high street branding to regenerate the area but transcends into a pit of sameness. These issues point towards a new mineral.

Daniell Bethel and Sonja Johansson present ‘f u t u r e – o r e’ at Back Lane West on Friday 30 June 5 – 9pm and Saturday 1 July 10am – 4pm.  A ‘Transitions’ graduate residency supported by Falmouth University.  Daniell and Sonja have just completed their final year at Falmouth School of Art, studying BA(Hons) Fine Art.

 

 

Images from Falmouth Fine Art London 2017 Private View

The Private View for Falmouth Fine Art London took place on the evening of Thursday 8 June at South Kiosk Gallery, Peckham.  The Private View was attended by Falmouth School of Art Visiting Professor, Hew Locke, and artists Mark Francis and Lisa Wright, amongst many others.

 

 

 

HOW TO SWIM Exhibit B: Treading Water

HOW TO SWIM – a series of six contemporary art events in different spaces across Manchester’s Victoria Baths site.

Over the six events artists will react to the site, installing sculptures, paintings and video as well as performing live movement and spoken word pieces, holding workshops and giving talks.

Exhibit B: Treading Water is the second event of the series, and includes work by recent BA(Hons) Fine Art graduates Tanya Cruz and Jess Russell, and Mercedes Kemp, Senior Lecturer in Fine Art at Falmouth School of Art.

These events are organised and curated by recent Falmouth Fine Art graduates Polly Maxwell and Lulu Richards aka WHATCHAMACALLIT collective.

http://pollymaxwell.weebly.com/
http://lulucottell.weebly.com/
http://www.whatchamacallitcollective.com/the-collective.html

The events take place at the historic Victoria Baths in Manchester a listed Edwardian swimming pool and Turkish Baths complex.

https://www.theguardian.com/uk-news/2017/may/14/manchester-victoria-baths-back-to-life-with-a-splash

http://www.victoriabaths.org.uk