First look at this autumn’s Guest Speaker programme…

This autumn we welcome five outstanding Guest Speakers to deliver lectures to students of Falmouth School of Art. Speakers include return visits from our two Visiting Professors, and an exciting event in association with the Groundwork project. Places are available at each for members of the public, our arts partners across the region and our alumni.

Places limited, registration required. Click here for more details and links to registration.

Advertisements

Visiting Professor Graham Rawle to give inaugural lecture at Falmouth

(c) Graham Rawle, from The Wizard of Oz

Author, artist and designer Graham Rawle will give his inaugural lecture as Falmouth School of Art’s Visiting Professor of Illustration on 22 March 2017.

Internationally admired, Rawle is one of the UK’s most interesting and original visual communicators, known by many for his long running ‘Lost Consonants’ strip, which appeared in the Guardian from 1990. A writer and collage artist whose visual work incorporates illustration, design, photography and installation, Rawle has a strong following for his eagerly-awaited published books, which include The Card (shortlisted for the 2013 Writer’s Guild Award), Graham Rawle’s Wonder Book of Fun and Diary of an Amateur Photographer. His collaged novel Woman’s World, created entirely from fragments of found text clipped from vintage women’s magazines won wide critical acclaim, described by The Times as ‘a work of genius…the most wildly original novel produced in this country in the past decade.’ His reinterpretation of The Wizard of Oz won Book of the Year and Best Illustrated Trade Book at the 2009 British Book Design and Production Awards. Alongside these works, Rawle has produced regular series for The Observer, The Sunday Telegraph Magazine and The Times.

This slideshow requires JavaScript.

Graham Rawle. Photo credit: Jenny Lewis

Rawle’s flair and passion for education has been recognised through honorary appointments and awards. As a previous contributor to both Falmouth School of Art’s guest speaker programme and its Illustration Forum he already has a strong interest in Illustration here. Of his appointment in 2016, Rawle said, “It’s a great honour for me to have been made Visiting Professor of Illustration at Falmouth University. I have long admired the School of Art’s commitment to nurturing original and individual thinking in art and design. My own research in sequential design and visual narrative spans across illustration, literature and, more recently, film. I’m interested in how the principles of storytelling, particularly three-act structure, can be employed in the development of design strategies across a wide range of disciplines. I look forward to finding ways of making connections with students, staff and researchers at Falmouth”.

Rawle has established himself as a ground-breaking research-led writer, illustrator and designer, evidenced through the range and depth of key scholarly texts that cite and analyse his work. He teaches on the MA Sequential Design/Illustration and MA Arts and Design by Independent Project courses at Brighton and in 2012 he was awarded an honorary doctorate for Services to Design from Norwich University of the Arts.

Graham Rawle’s lecture at our Falmouth Campus is free, but registration is required, as seats are limited: Click here to register through our Eventbrite page.

Find out more about our BA(Hons) Illustration and MA Illustration: Authorial Practice.

 

BA(Hons) Drawing Forum 23 February 2017

Peter Skerrett and Claude Heath (far right) discuss a structural drawing built by students

Falmouth Senior Lecturer Peter Skerrett and artist and Visiting Speaker Claude Heath (far right) discuss a structural drawing built by students

BA(Hons) Drawing invited artist Claude Heath to join students and staff in the studios, where several collaborative drawings took place during the day. Drawings made included two large narrative pieces responding to poet works about the refugee crisis and World War One, a three-dimensional root-system structure made from rolled paper, and a ‘remote’ life drawing class where the model was placed in another room from the students, testing recall and memory.

During the morning, drawing stopped as students and staff listened to a conversation between Claude Heath and BA(Hons) Drawing Lecturer Dr Joe Graham, in which they talked about the validity of drawing as a means of legal communication, using a drawing of the Apple iPad as an example.

Claude also gave a lecture to students and staff from across Falmouth School of Art. Many thanks to Claude Heath from all of us at Falmouth for a very enjoyable and successful day.

Students plan collaborative drawing

Students plan collaborative drawing

Joe Graham in 'Variations' - a project about drawing movement

BA(Hons) Drawing Lecturer Joe Graham in ‘Variations’ – a project about drawing movement

Students and Claude Heath during the Drawing Forum 2017

Students and artist Claude Heath during the Drawing Forum 2017

Claude Heath and Joe Graham in conversation at the Drawing Forum

Drawing Forum Guest Speaker Claude Heath and Falmouth Lecturer Joe Graham in conversation at the Drawing Forum

Artist Tania Kovats to talk at Falmouth

“I think all artists are witnesses. And sometimes you have to be a responsible witness”.

Tania Kovats joins us in Falmouth on Wednesday 2 November. Her work explores our experience and understanding of landscape. Since receiving the Barclays Young Artist Award at London’s Serpentine Gallery in 1991, Kovats has become known for her sculptures, large-scale installations, temporal works and drawings.

Evaporation, Tania Kovats, solo exhibition, installation view, Museum of Science and Industry, Manchester (2015)

Evaporation, Tania Kovats, solo exhibition, installation view, Museum of Science and Industry, Manchester (2015)

Rain II, 2015, ink on blotting paper, framed, 59.7 x 54.3 cm, 23.5 x 21.4 in

Rain II, 2015, ink on blotting paper, framed, 59.7 x 54.3 cm, 23.5 x 21.4 in

Kovats’ interest in drawing is reflected in works including British Isles and All the Islands of All the Oceans. She is also author of The Drawing Book – a Survey of drawing: the primary means of expression (2007), and Course Director for MA Drawing at Wimbledon College of Art, London.

Perhaps best known for her large-scale works in the public realm, Kovats produced Tree (2009), a wafer thin longitudinal section of the entire structure of a 200-hundred-year old oak, permanently inserted into the ceiling of the Natural History Museum. For Rivers (2012), installed in the landscape of Jupiter Artland outside Edinburgh, Kovats collected water from one hundred rivers around the British Isles, housing the collection in a specially constructed boathouse. A major solo exhibition at The Fruitmarket Gallery in Edinburgh, Oceans (2014), explored her preoccupation with the sea.

Kovats’ practice has seen her undertake residencies in the Galapagos Islands and the Astronomy Department at the University of Cambridge, travel to the Arctic as part of the Nowhereisland project and to points on the globe where seas meet, from New Zealand to northern Denmark, for her work Where Seas Meet. Tree (2009) resulted from six months exploring South America with her husband and son.

All the Sea (detail) 2014, Tania Kovats, The Fruitmarket Gallery, Edinburgh

All the Sea (detail) 2014, Tania Kovats, The Fruitmarket Gallery, Edinburgh

This year, her exhibition Evaporation (2016) at the Museum of Science and Industry in Manchester again focused on water. The exhibition was commissioned by Cape Farewell, the organisation which provides a cultural response to the issue of climate change. Evaporation also included All The Sea, previously shown at The Fruitmarket Gallery, Edinburgh; 365 bottles of water from the world’s seas, collected by Kovats in large part through an invitation to the public to help her to bring all the seas together in one place.

Tania Kovats will give a talk on her work and practice at Falmouth School of Art, 2 November 2016 at 5pm, Lecture Theatre 1, Falmouth Campus. Booking required, click here to register

 

 

This slideshow requires JavaScript.

After completing her MA at the Royal College of Art in 1990, Tania Kovats (b.1966) won the Barclays Young Artist Award at the Serpentine Gallery in 1991. She has been the recipient of many awards such as the Henry Moore Drawing Fellowship (2004-5), Visiting Fellow at the School of Archaeology, Oxford University (2006) and the Cape Farewell Lovelock Art Commission (2015). She has been nominated for the Max Mara Art Prize for Women in collaboration with the Whitechapel Gallery: 6th Edition (2015-17) and completed a residency in the Astronomy Department at the University of Cambridge. Kovats has shown extensively in the UK and abroad, with solo shows including those at Fruitmarket Gallery, Edinburgh; Yorkshire Sculpture Park, Wakefield; Peer Arts, London, Newlyn Art Gallery, Cornwall and the Museum of Science & Industry in Manchester. Her work is held in numerous public and private collections including the Arts Council, The British Council, Government Art Collection and the V&A. She is represented by the Pippy Houldsworth Gallery.

AnOther interview with Tania Kovats, December 2015

 

ELLA-STRATED: Alan Kane at Falmouth

(C) Ella Kasperowicz

(C) Ella Kasperowicz

The autumn programme of Guest Speakers at Falmouth School of Art started with Alan Kane visiting on Wednesday 28th September 2016. As well as discussing his work, he discussed his ideas about everyone having a creative outlet – from gurning, to arranging stacks of speakers, to collecting objects. 

Guest Speaker this Wednesday – artist Alan Kane

The Falmouth School of Art Guest Speakers programme starts for the autumn term with artist Alan Kane.

The series brings high profile artists and practitioners to Falmouth to talk about their practice.

5pm, Wednesday 28 September, Lecture Theatre 1, Falmouth Campus

Alan Kane’s installations and photographs often question the distinction between high art and everyday creativity, often bringing commonplace objects into artistic contexts. His most celebrated work is Folk Archive: Contemporary Popular Art from the UK (2000-5), co-curated with Jeremy Deller. The archive brought together drawing, film, performance, costume, decoration, political opinion, humour and objects in a celebration of the diversity and richness of Britain’s folk art. Life Class: Today’s Nude (2009) involved broadcasting a life drawing class nationwide on Channel 4, sharing with daytime TV audiences the esoteric world of the artist’s studio.a3-poster-alan-kane-300dpi

Seats are limited, and a small number are available to the public, alumni, schools and colleges. Register now at http://falmouthschoolofart.eventbrite.com

To read more about forthcoming lectures, see our recent blog post.

 

 

Falmouth School of art Guest Speakers announced for autumn 2016

We’re excited to announce the line-up of Guest Speakers for our autumn programme, commencing Wednesday, 28 September. All events are free, but booking is required, as spaces are limited. To register for any of these events, use our Eventbrite page: https://falmouthschoolofart.eventbrite.co.uk

This slideshow requires JavaScript.

We start with Alan Kane, on Wednesday 28 September at 5pm, whose installations and photographs often question the distinction between high art and everyday creativity, often bringing commonplace objects into artistic contexts. His most celebrated work is Folk Archive: Contemporary Popular Art from the UK (2000-5), co-curated with Jeremy Deller. The archive brought together drawing, film, performance, costume, decoration, political opinion, humour and objects in a celebration of the diversity and richness of Britain’s folk art. Life Class: Today’s Nude (2009) involved broadcasting a life drawing class nationwide on Channel 4, sharing with daytime TV audiences the esoteric world of the artist’s studio.

On 12 October we’re joined by James Binning, of the Turner Prize-winning collective Assemble. Assemble are based in London and began working together in 2010. Encompassing the fields of art, architecture and design, Assemble’s practice seeks to address disconnection between the public and the process by which places are made. Their working practice is interdependent and collaborative, actively involving the public as participants and collaborators. Assemble’s 2015 Turner Prize winning project in Liverpool involved the refurbishment of a group of houses in Toxteth, Liverpool, worn down by neglect. Some residents had began the process of regeneration – planting gardens and painting murals – and the community land trust that now runs the neighbourhood brought Assemble on board. Binning completed his Foundation in Art and Design at Falmouth in 2006.

In association with CAST and The Cornwall Workshop, Ruth Ewan is our guest on 19 November. Ruth’s work includes events, installation, writing and printed matter. Her practice explores overlooked histories of radical, political and utopian thought, bringing to light specific ideas in order to question how we might live today. Always engaging with others, her projects involve a process of focused research and close collaboration –  recent projects have led her to develop context specific projects within schools, prisons, hospitals, libraries, universities, Parliament and London Underground.

On 2 November, we welcome Tania KovatsKovats’ sculptures, large-scale installations and temporal works explore our experience and understanding of landscape. Best known for her large-scale works in the public realm, Kovats produced Tree (2009), a wafer thin longitudinal section of the entire structure of a 200-hundred-year old oak, permanently inserted into the ceiling of the Natural History Museum. For Rivers (2012), she collected water from one hundred rivers around the British Isles. Oceans (2014), explored her preoccupation with the sea. Kovats’ interest in drawing is reflected in works including British Isles and All the Islands of All the Oceans. She is also author of The Drawing Book – a Survey of drawing: the primary means of expression (2007), and Course Director for MA Drawing at Wimbledon College of Art, London.

Finally this term, Falmouth alumnus Hew Locke returns, this time as our Visiting Professor of Fine Art, an appointment that we are delighted he has accepted for the next three years. Locke’s investigation of the display of power includes areas such as royal and swagger portraiture, coats-of-arms, public statuary, trophies, financial documents, weaponry and costume. He states: ‘This …(work is) essentially about power – who had it, who has it and who desires it’.