Welcome to the Falmouth School of Art Blog

Thank you for visiting the Falmouth School of Art blog. Here is where we share news from across the School’s courses – the activities of our students, staff and alumni. Please click on the right to follow the blog and receive an update each time we post a new story. If you are a student or alumni and want us to share your news, we’d love to hear from you.

BA(Hons) Fine Art Second Year Show 2017

The gallery below features images from the BA(Hons) Fine Art second year show which took place at The Poly, Falmouth in March 2017.

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Jessica Warboys, Falmouth alumna – talk at Falmouth and solo exhibition at Tate St. Ives

Hill of Dreams 2016, Performer Oliver Baggott, Video, High Definition, colour, sound; 11 minutes
© Jessica Warboys and 1857

Jessica Warboys,
Sea Painting, Dunwich, October, 2015
canvas, mineral pigments
Courtesy the artist & Gaudel de Stampa, Paris.

In association with Tate St. Ives, artist Jessica Warboys, who graduated from BA(Hons) Fine Art at Falmouth in 2001, joins us for a talk on 29 March, to mark her first solo show at a UK national gallery, at Tate St. Ives this Spring.

Warboys works across painting, performance, film and sculpture; her work is informed by personal or collective memories – historical, mythical or fictional. In her Sea Paintings, Warboys explores the connection between painting and performance, submerging damp, folded canvas scattered with coloured pigments into the sea, and allowing the movement of the waves to ‘paint’ the canvas.  The show at Tate St. Ives will feature films, sculptures and paintings, including two specially commissioned works:

Sea Painting, Zennor 2015, was made on the Zennor coast near St Ives.

Hill of Dreams 2016, is a new film that draws from Welsh fantasy writer Arthur Machen’s book of the same name, that relives his memories of rural Gwent, where Warboys was born a century later. Hill of Dreams has been commissioned by Tate St Ives, Casa Masaccio, San Giovanni Valdarno, Italy and Kunsthall Stavanger, Norway and will tour to each of these venues throughout 2016−17.

Warboys currently lives and works in Suffolk and Berlin and has enjoyed wide international exhibition success, including solo exhibitions. After graduating from Falmouth she completed a Masters of Fine Art at Slade School of Art in 2004. Her work was recently included in British Art Show 8.

Register Here for Jessica Warboys’ talk on 29 March, 6pm, Lecture Theatre 1, Falmouth Campus. Please note the later than usual start time.

Jessica Warboys at Tate St. Ives runs from 31 March to 3 September 2017.

Beatrice Brown – THE N0THING SERIES – 23 March–23 April 2017

Falmouth BA(Hons) Fine Art alumna Beatrice Brown is about to open her first solo exhibition in London. ‘THE N0THING SERIES’ is curated by James Birch and opens at Gallery 46 in Whitechapel on March 23, 2017 until 23 April. 


The works in this exhibition bear witness to inner visions that Brown has had from as early as six years old, when she transposed her inner turmoil and confusion onto seeing the ‘Fire Child’, a character that spoke to her from within the flames of a hearth. The sheer compressed power of the sculptural work is analogous to the potency of material transformation in alchemy, of the Jungian Nigredo, the black beginning – The Nothing Series.

Beatrice graduated from Fine Art in Falmouth in 2013, and was shortlisted for the Midas Award in that year, exhibiting that autumn at Millennium Gallery, St. Ives (now Anima-Mundi). Her solo exhibition features a new collection of drawings.

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Gallery 46 is a new art-space from Martin J Tickner, Sean McLusky, Martin Bell and Wai Hung Young in Whitechapel, London’s long-standing centre of radicalism and independence, has developed from the non-conformist curatorial approach they deployed at Redchurch Street’s infamous MEN Gallery.

http://gallery46.co.uk/Exhibitions/beatrice-brown-the-nothing-series/

http://beatricebrown.net

 

 

 

 

 

 

 

Invitation to ‘Boatanicals’ Celebration at Princess Pavilion this Sunday 19 March at 1pm

The Big Draw ‘Boatanicals’ is now in place at Princess Pavilions for all to see. Those who took part include; Penryn College, Constantine Primary School, Marlborough School, Falmouth Primary School , Falmouth Young Women’s Group, Foundation Diploma in Art & Design students, BA(Hons) Illustration students, postgraduate students, Make and Take Community workshops and the general public. Contributors ranged from 2 years to 80+, and there are around 300 flowers and boats or hybrids of the two.  Weather permitting (no persistent gales we hope) the installation will be up for a month. There will be a celebratory gathering this Sunday 19 March between 1 & 2 pm, and at 2pm there will be a press photo shoot.  This ‘planting out’ celebration coincides with the Falmouth Spring Flower Show, which is held at the Princess Pavilion this weekend, 18-19 March.

This project has been really successful, thanks to a committed team of Foundation Staff including Tilly McKerrow, Emelia Wharfe, Sarah Hayes and Jane Chetwynd, plus some keen students from both the Foundation Diploma in Art and Design and MA programmes.

A Facebook page has been set up for ‘Boatanicals’ which will include updates and more information about the project: https://www.facebook.com/The-Big-Draw-Falmouth-1871001206500975/?ref=aymt_homepage_panel

Installation by Fine Art graduate Sandi Carr in the Clearwell Caves, Royal Forest of Dean

Sandi Carr, 2016 graduate of BA(Hons) Fine Art at Falmouth, has installed 450 metres of cotton wick in her latest site responsive art work, which has opened at Clearwell Caves in the Royal Forest of Dean,
 Gloucestershire, where she has been undertaking a residency.

Founder of Flow Contemporary Arts, Carolyn Black, writes of the installation:

‘The forest has some fascinating places that many people consider to be merely tourist destinations. Yet some provide brilliant locations for contemporary art to be shown in, and Clearwell Caves is one of them. The exhibition by Sandi Carr that opened last night, is one worth seeing. If you take a peek at her website you will see she’s interested in visceral materials, and this new installation reflects that’.

Check out Sandi’s work here: http://sandijade.weebly.com

 

Visiting Professor Graham Rawle to give inaugural lecture at Falmouth

(c) Graham Rawle, from The Wizard of Oz

Author, artist and designer Graham Rawle will give his inaugural lecture as Falmouth School of Art’s Visiting Professor of Illustration on 22 March 2017.

Internationally admired, Rawle is one of the UK’s most interesting and original visual communicators, known by many for his long running ‘Lost Consonants’ strip, which appeared in the Guardian from 1990. A writer and collage artist whose visual work incorporates illustration, design, photography and installation, Rawle has a strong following for his eagerly-awaited published books, which include The Card (shortlisted for the 2013 Writer’s Guild Award), Graham Rawle’s Wonder Book of Fun and Diary of an Amateur Photographer. His collaged novel Woman’s World, created entirely from fragments of found text clipped from vintage women’s magazines won wide critical acclaim, described by The Times as ‘a work of genius…the most wildly original novel produced in this country in the past decade.’ His reinterpretation of The Wizard of Oz won Book of the Year and Best Illustrated Trade Book at the 2009 British Book Design and Production Awards. Alongside these works, Rawle has produced regular series for The Observer, The Sunday Telegraph Magazine and The Times.

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Graham Rawle. Photo credit: Jenny Lewis

Rawle’s flair and passion for education has been recognised through honorary appointments and awards. As a previous contributor to both Falmouth School of Art’s guest speaker programme and its Illustration Forum he already has a strong interest in Illustration here. Of his appointment in 2016, Rawle said, “It’s a great honour for me to have been made Visiting Professor of Illustration at Falmouth University. I have long admired the School of Art’s commitment to nurturing original and individual thinking in art and design. My own research in sequential design and visual narrative spans across illustration, literature and, more recently, film. I’m interested in how the principles of storytelling, particularly three-act structure, can be employed in the development of design strategies across a wide range of disciplines. I look forward to finding ways of making connections with students, staff and researchers at Falmouth”.

Rawle has established himself as a ground-breaking research-led writer, illustrator and designer, evidenced through the range and depth of key scholarly texts that cite and analyse his work. He teaches on the MA Sequential Design/Illustration and MA Arts and Design by Independent Project courses at Brighton and in 2012 he was awarded an honorary doctorate for Services to Design from Norwich University of the Arts.

Graham Rawle’s lecture at our Falmouth Campus is free, but registration is required, as seats are limited: Click here to register through our Eventbrite page.

Find out more about our BA(Hons) Illustration and MA Illustration: Authorial Practice.

 

Fine Art Course Coordinator performs sell out live performance for Glasgow Film Festival

Gillian Wylde, Course Coordinator on BA(Hons) Fine Art presented a sell out live performance and lecture as part of the 13th annual Glasgow Film Festival.

The Festival featured a programme packed full of premieres, previews, unique pop-up cinema events, themed screenings, discussions, Q&As and live performance.

Taking place at the CCA: ‘Centre for Contemporary Arts venue’, Glasgow’s hub for the arts, Gillian presented ‘Will Internets Eat Brain?’ a live performance of fragments, texts, images and ideas trending in some of her recent work, followed by a discussion.

Gillian works mainly with video, performance, object and text. Central to her work is a critical engagement with new technologies, the mediated and the installed and simple interconnections of agency. Her works tend to get made in response to contexts of location and place, encounter and dialogue(s), ad-hocism, foraging and chance. Works comment on some of the social and political implications of new technology and practices, often challenging traditional ideas of the art object and means of production or productivity. ‘Material things or stuff’ in relation to the video camera, processes of appropriation and post-production are constants through most of the work – perhaps a savage smell or hairy logic.

Gillian’s work has been shown nationally and internationally including Transmodern Live Art Action Festival, Baltimore; Videotage, Hong Kong; Alytus Biennial, Lithuania; Tao Scene, Norway; Lounge Gallery, London.