Lucy Rivers, Sonja Burniston and Iola McCorkindale, BA(Hons) Illustration students at Falmouth were given the opportunity to work with a local School, Truro Learning Academy, to create a mural for their School during the Summer break.
Lucy said of the project “Once we got a small brief from Jon (Thrive Lead – Senior Leader at Truro), we went into the school to work with the children to generate some ideas on Friendship, Trees and Murals…It was such an amazing learning experience and we have made some really fantastic friends over at Truro Learning Academy.
Jon was so generous, on the last day, Iola, Sonja and I were all invited into assembly and we were given flowers and a gift card and all the children sang for us, it was so lovely, hopefully we can work with them again on future projects!”
To find out more about what our Illustration students are up to at Falmouth, head over to the Illustration course blog here
Hew Locke, our appointed Visiting Professor of Fine Art, has two new projects; ‘Cui Bono’ in Bremen, and ‘Reversal of Fortune’ in Miami.
‘Cui Bono’ is a 4 metre long ship that Hew has created. The work was commissioned by Kunsthalle Bremen and installed at Rathaus Bremen, Germany, as part of the exhibition ‘The Blind Spot: Bremen and Art in the Colonial Era’. A video on the installation can be found here.
The installation in the Town Hall’s upper gallery is an invitation to grapple with Bremen’s maritime commercial and colonial history. The exhibition takes place in Bremen Town Hall, Germany, from 5 August to 19 November 2017. For more information on the project click here.
‘Reversal of Fortune’ is a new commission for Fringe Projects Miami, in an empty jewellery store in downtown Miami’s historic Art Deco Moderne DuPont Building. The exterior of the installation is viewable from SE 2nd Ave, 24 hours a day, from 8 September 2017 to 31 January 2018.
Since the financial crash of 2008 Hew Locke has been buying original antique share certificates from old companies, and painting directly on them. In ‘Reversal of Fortune’ fifteen have been selected and printed up to create an installation on the facade, and inside the vault, of an empty store. He has chosen these defunct shares sometimes for their interesting history, and sometimes for their beauty. He highlights historical and economic cycles. Commerce has its’ ups and downs, yet it is human nature to be optimistic, to continue to trade. New-born companies garland their shares with confident typography and classical motifs implying stability and worth. Figures representative of the local population in the areas in which the companies operated are sometimes seen breaking-through. These are silent witnesses, those who paid the most to create the wealth without receiving the benefit. Locke’s series of shares is also a wry acknowledgement of the commodity value of contemporary art.
Hew Locke will be a guest speaker for Falmouth School of Art later in the year. Watch out for details of our upcoming ‘Guest Speaker’ series.
Falmouth’s Visiting Professor programme brings international speakers of the highest calibre to the university to share their knowledge, insights and experiences with students, staff and wider public. Visiting Professors are appointed for three years, delivering both public lectures and working with our students during their annual visit.
Final year BA(Hons) Fine Art student Sophie Wright, has and exhibition opening in Penryn on 5 August, with fellow artist and student Rebecca Pearce-Davies. Heretics of the Mundane runs until 26 August, and all are welcome to the Private View from 6pm on 4 August.
Megan Fatharly, a BA(Hons) Drawing student going into her third year of study at Falmouth has been selected for Beside The Wave London’s very first ‘Open Summer Show’.
The Private View takes place on Thursday 20 July 6-8pm at Beside The Wave London, 41 Chalcot Road, Primrose Hill, NW1 8LS. The exhibition will run until 09 September 2017.
The show has been organised to celebrate the second anniversary of their London gallery and aims to put a focus on the wealth of creativity on their doorstep as well as welcoming selected artists from across the UK with a mix of emerging and established names.
Last week we held our Falmouth School of Art Summer Intensives 2017. Three strands took place this year; abstract painting, figure painting and observational drawing.
We had another really successful year packed full of fantastic work by a great group of practitioners. We really enjoyed hosting this again and please do take a look at the wide range of work produced in the gallery below.
Second year BA(Hons) Fine Art students, Isaac Aldridge and Unn Devik joined their Senior Lecturers Mercedes Kemp and Lucy Willow at a two-day conference – Future Now – at York St John University. Isaac and Unn, whose attendance was partially funded by Falmouth School of Art, share their experience of the symposium:
‘Cherie Federico, the Co- Publisher, Editor and Director of Aesthetica opened the symposium with a soft, reinforcing message, reminding us of uncertain times with the unprecedented rate of technological intervention with the effects and questions that it brings to us in the present time. Federico mentioned the way technology can sway culture and enforce propaganda; we can see this through the brain washing of young people through the manipulation of religious intentions to commit acts of terror and political gain, but ultimately through art we are able to consider the events of the world; even though it’s shifting at a cataclysmic speed, we have some power of influence. It is a self-reflection on the 21st Century life and what it means.’ Isaac Aldridge
‘Future Now Symposium invited us to celebrate the shortlisted artists for the Aesthetica Art Prize 2017, and for the occasion arranged a vast series of lectures by professionals from the art world. Speakers came from Glasgow School of Art, Welcome Trust, ArtAngel, Arts Council, Visual Art South West, Icon Gallery, Whitechapel Gallery and many more. Themes of the Symposium included; the arrival of the digital age and how it affects the art world as we know it and, diversity in the art world and how to make it a more inclusive and culturally diverse scene on all levels. There were also sessions about funding and art prizes, relevant platforms when launching a career as a practicing artist.’
I feel privileged to have been given the opportunity by the university to attend the Future Now Symposium. All in all I feel more informed about the current situation of the Art World. Although it is a highly competitive and commercially driven world, it is full of opportunities. Hopefully, too, it is on its way to becoming a truly diverse place. An Art World utopia is a place where the Art World is not commercially driven and takes pride in nurturing and sustaining talent from across the globe – regardless of background. I think only then we can talk about making art for art´s sake – that is to imitate different realities of existence. We are far from this utopia– but I believe going to symposiums and other events like Future Now is a great way of getting to know yourself and what you find to be valuable and worthwhile – thus creating your own idea of a utopia.’ Unn Devik
Future-ore resides in the cortex of Redruth and is powered by their profitable history in copper and tin mining. The success is now grounded into a state of absence. A memory awaiting rejuvenation. The streets appear empty as imagery of the past paints a distance between the present. The community is tethered to the past without any direction of the future. Whilst the location is scattered with engine houses and chimney stacks all overgrown with nature, they stand as monuments. This architectural heritage is stamped with high street branding to regenerate the area but transcends into a pit of sameness. These issues point towards a new mineral.
Daniell Bethel and Sonja Johansson present ‘f u t u r e – o r e’ at Back Lane West on Friday 30 June 5 – 9pm and Saturday 1 July 10am – 4pm. A ‘Transitions’ graduate residency supported by Falmouth University. Daniell and Sonja have just completed their final year at Falmouth School of Art, studying BA(Hons) Fine Art.