Megan Fatharly, a BA(Hons) Drawing student going into her third year of study at Falmouth has been selected for Beside The Wave London’s very first ‘Open Summer Show’.
The Private View takes place on Thursday 20 July 6-8pm at Beside The Wave London, 41 Chalcot Road, Primrose Hill, NW1 8LS. The exhibition will run until 09 September 2017.
The show has been organised to celebrate the second anniversary of their London gallery and aims to put a focus on the wealth of creativity on their doorstep as well as welcoming selected artists from across the UK with a mix of emerging and established names.
Last week we held our Falmouth School of Art Summer Intensives 2017. Three strands took place this year; abstract painting, figure painting and observational drawing.
We had another really successful year packed full of fantastic work by a great group of practitioners. We really enjoyed hosting this again and please do take a look at the wide range of work produced in the gallery below.
Second year BA(Hons) Fine Art students, Isaac Aldridge and Unn Devik joined their Senior Lecturers Mercedes Kemp and Lucy Willow at a two-day conference – Future Now – at York St John University. Isaac and Unn, whose attendance was partially funded by Falmouth School of Art, share their experience of the symposium:
‘Cherie Federico, the Co- Publisher, Editor and Director of Aesthetica opened the symposium with a soft, reinforcing message, reminding us of uncertain times with the unprecedented rate of technological intervention with the effects and questions that it brings to us in the present time. Federico mentioned the way technology can sway culture and enforce propaganda; we can see this through the brain washing of young people through the manipulation of religious intentions to commit acts of terror and political gain, but ultimately through art we are able to consider the events of the world; even though it’s shifting at a cataclysmic speed, we have some power of influence. It is a self-reflection on the 21st Century life and what it means.’ Isaac Aldridge
‘Future Now Symposium invited us to celebrate the shortlisted artists for the Aesthetica Art Prize 2017, and for the occasion arranged a vast series of lectures by professionals from the art world. Speakers came from Glasgow School of Art, Welcome Trust, ArtAngel, Arts Council, Visual Art South West, Icon Gallery, Whitechapel Gallery and many more. Themes of the Symposium included; the arrival of the digital age and how it affects the art world as we know it and, diversity in the art world and how to make it a more inclusive and culturally diverse scene on all levels. There were also sessions about funding and art prizes, relevant platforms when launching a career as a practicing artist.’
I feel privileged to have been given the opportunity by the university to attend the Future Now Symposium. All in all I feel more informed about the current situation of the Art World. Although it is a highly competitive and commercially driven world, it is full of opportunities. Hopefully, too, it is on its way to becoming a truly diverse place. An Art World utopia is a place where the Art World is not commercially driven and takes pride in nurturing and sustaining talent from across the globe – regardless of background. I think only then we can talk about making art for art´s sake – that is to imitate different realities of existence. We are far from this utopia– but I believe going to symposiums and other events like Future Now is a great way of getting to know yourself and what you find to be valuable and worthwhile – thus creating your own idea of a utopia.’ Unn Devik
Future-ore resides in the cortex of Redruth and is powered by their profitable history in copper and tin mining. The success is now grounded into a state of absence. A memory awaiting rejuvenation. The streets appear empty as imagery of the past paints a distance between the present. The community is tethered to the past without any direction of the future. Whilst the location is scattered with engine houses and chimney stacks all overgrown with nature, they stand as monuments. This architectural heritage is stamped with high street branding to regenerate the area but transcends into a pit of sameness. These issues point towards a new mineral.
Daniell Bethel and Sonja Johansson present ‘f u t u r e – o r e’ at Back Lane West on Friday 30 June 5 – 9pm and Saturday 1 July 10am – 4pm. A ‘Transitions’ graduate residency supported by Falmouth University. Daniell and Sonja have just completed their final year at Falmouth School of Art, studying BA(Hons) Fine Art.
We’re delighted to announce the names of the artists selected by critic and curator Sacha Craddock from our 2017 BA(Hons) Fine Art degree show, to exhibit at this year’s Falmouth Fine Art London.
Yasmin Alaghband | Bronwen Anwyl | Maxwell Bale | Daniel Bethell | Paula Bolton | Kathleen Broad | Joanna Clarkson | Martin Dodridge | Danielle Georgiou | Alexander Goodyear | Robert Ive | Bethany Kelly | Oscar Lyons | Edward May | Jasmine Mills | Zoe Murphy | Beth Pinner | Kristina Rayner | Michaela Riches | Anthony Sims | Isobel Smith | Lillian Thomson
Falmouth Fine Art London will take place at South Kiosk, SE15, curated by artist Jesse Leroy Smith.
HOW TO SWIM – a series of six contemporary art events in different spaces across Manchester’s Victoria Baths site.
Over the six events artists will react to the site, installing sculptures, paintings and video as well as performing live movement and spoken word pieces, holding workshops and giving talks.
Exhibit B: Treading Water is the second event of the series, and includes work by recent BA(Hons) Fine Art graduates Tanya Cruz and Jess Russell, and Mercedes Kemp, Senior Lecturer in Fine Art at Falmouth School of Art.
These events are organised and curated by recent Falmouth Fine Art graduates Polly Maxwell and Lulu Richards aka WHATCHAMACALLIT collective.
The events take place at the historic Victoria Baths in Manchester a listed Edwardian swimming pool and Turkish Baths complex.