Fine Art Course Coordinator performs sell out live performance for Glasgow Film Festival

Gillian Wylde, Course Coordinator on BA(Hons) Fine Art presented a sell out live performance and lecture as part of the 13th annual Glasgow Film Festival.

The Festival featured a programme packed full of premieres, previews, unique pop-up cinema events, themed screenings, discussions, Q&As and live performance.

Taking place at the CCA: ‘Centre for Contemporary Arts venue’, Glasgow’s hub for the arts, Gillian presented ‘Will Internets Eat Brain?’ a live performance of fragments, texts, images and ideas trending in some of her recent work, followed by a discussion.

Gillian works mainly with video, performance, object and text. Central to her work is a critical engagement with new technologies, the mediated and the installed and simple interconnections of agency. Her works tend to get made in response to contexts of location and place, encounter and dialogue(s), ad-hocism, foraging and chance. Works comment on some of the social and political implications of new technology and practices, often challenging traditional ideas of the art object and means of production or productivity. ‘Material things or stuff’ in relation to the video camera, processes of appropriation and post-production are constants through most of the work – perhaps a savage smell or hairy logic.

Gillian’s work has been shown nationally and internationally including Transmodern Live Art Action Festival, Baltimore; Videotage, Hong Kong; Alytus Biennial, Lithuania; Tao Scene, Norway; Lounge Gallery, London.

Gemma Anderson workshop: The Big Draw at the Royal Society

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BA(Hons) Drawing Lecturer Gemma Anderson will be delivering a free Isomorphology drawing workshop at the Royal Society Saturday 22 October, for an event as part of The Big Draw.

The Big Draw at the Royal Society event brings together art and science in a series of workshops and activities.

Read more about the event online here and here.

 

New commission by Gillian Wylde at Arnolfini, Bristol

The ‘Moving Targets’ summer season at Arnolfini, Bristol (29 July – 11 September 2016), celebrates the 40th anniversary of Punk.  ‘Resist Psychic Death’ opens in Gallery 1 at the Arnolfini on Friday 12 August, an expanded exhibition inviting audiences to question and discuss the history and future of punk.

The Day The World Turned Day-Glo, Gillian Wylde, 2016

The Day The World Turned Day-Glo, Gillian Wylde, 2016

 

The exhibition includes a new commission by Falmouth School of Art Senior Lecturer in Fine Art, Gillian Wylde. The commission, ‘The Day The World Turned Day-Glo’ includes effervescently discordant video works, collaged with corrupted image and text; it takes over Arnolfini’s foyer and overflows into the Café-Bar and Bookshop.

‘The Day The World Turned Day-Glo’  is open 11am-6pm daily for the duration of the Moving Targets season, entry free, donations welcome.

The Day The World Turned Day-Glo, Gillian Wylde 2016

The Day The World Turned Day-Glo, Gillian Wylde 2016

Gillian Wylde makes performative work for video and installation. Central to her work is a critical engagement with technologies, language and the mediated. Processes of appropriation, petty arrangement and post-production are constants through most of the work like maybe a savage smell or hairy logic. Her work has been shown nationally and internationally including; Transmodern Live Art Action Festival, Baltimore; Videotage, Hong Kong; Alytus Biennial, Lithuania; Tao Scene, Norway, Experiments in Cinema, Albuquerque and CCA Gallery, Glasgow. Recent work includes: ‘Enflamma Diagra’ a collaboration with Neil Chapman ICA, London, ‘Snakes&Funerals’ a collaboration with James S Williams and Emily Jeremiah for ‘Queer The Space’ CCC, London and ‘Inna-deno pudenda membra’ an essay published in ‘The Interior’ by Eros Press.

The Day The World Turned Day-Glo, Gillian Wylde 2016

The Day The World Turned Day-Glo, Gillian Wylde 2016

Falmouth School of Art Intensives 2016 – In Pictures

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Last week we held the Falmouth School of Art Intensives in Abstract Painting and Figure Painting.

These focused five-day courses for artists and practitioners were delivered by specialist tutors Mark Surridge, Simon Averill, Ashley Hold and Jesse Leroy Smith.

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During the week alongside expert one-to-one tuition, studio tutorials, group discussions and individually allocated studio spaces, participants also enjoyed key events including an inspiring guest lecture by artist Naomi Frears, a social dinner for a much needed mid-week break, Cornish cream teas in the sunshine, and to round of the week in style, participants showcased their work together in a group exhibition.

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Immediate feedback from participants has been extremely positive; comments include, “I had such a fantastic week and I was so sad to leave. I met a brilliant group of people, I received the highest level of tuition (which I’m sure will resonate through my work in the future) and I was made to feel incredibly welcome by all the staff.”

The pictures here highlight the incredibly high quality of work produced by participants; we can’t wait to start planning for next year!

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If you are interested in the Falmouth School of Art Intensives 2017, please email us at schoolofart@falmouth.ac.uk or keep an eye on www.falmouth.ac.uk/fsaintensives 

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Upcoming Exhibition: Becky Haughton, Senior Technician for FSA

Becky Haughton

Becky Haughton, Senior Technician for the Falmouth School of Art will soon be exhibiting a selection of screen prints and photo etchings in the Picture Room at Newlyn Art Gallery.  Becky’s screen prints explore the landscape through the layering and morphing of drawings.  The exhibition will run from 01 – 30 July 2016.

There is an opening night on Thursday 30 June from 6.30pm which also marks the start of the summer exhibition across both Newlyn and the Exchange Galleries by artist Imran Quereshi, who will also be giving an introduction to his work at the opening at 7pm.

The Picture Room at Newlyn Art Gallery shows changing exhibitions of work for sale by some of the region’s most recognised artists.  The Picture Room offers the opportunity to purchase paintings, prints and drawings with the profits from sales made directly supporting the Gallery’s education and exhibition activities.

Simon Averill – 444 paintings at Anima-Mundi

 

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Falmouth School of Art Senior Lecturer in Fine Art, Simon Averill, is exhibiting at Anima-Mundi in St. Ives from 10 June.

Simon has lectured at Falmouth since 1989, and has exhibited his work widely in selected exhibitions in the UK and internationally.

“My paintings are a response to time spent within nature; I’m drawn to the commonplace, the unnoticed. I try to capture the fleeting and the transitory; the effect of light – not only how it appears, but also how it behaves…I am also interested in the psychology of decision making within the creative process and my work investigates the relationship between spontaneity and control. My paintings allow these seemingly disparate ideas to co-exist side by side.”

Next month, Simon with be co-delivering Falmouth School of Art’s Abstract Painting Summer Intensives.

Also showing, on the top floors of the gallery, is artist Youki Hirakawa‘s ‘Secret Fire’.

simonaverill.co.uk

 

The Edge of Printing – Exhibition at the Royal Academy of Arts

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© Virginia Verran ‘Pink/Red (Not Here) 2016 Etching 1/6’

Virginia Verran, an Associate Lecturer for the Falmouth School of Art, is currently showing a series of 4 new etchings in an exhibition at the Keepers House, Royal Academy of Arts in London.  The Edge of Printing opened on 27 April and continues until 23 October 2016.  It is co-ordinated by Tess Jaray RA and presents work from Tim Head, Richard Plank, Saori Parry, Anne Desmet RA, Tom Lomax, Peter Freeth RA, Cathy de Monchaux, Tess Jaray RA, Guilia Ricci, Trevor Sutton, Rebecca Salter RA and Virginia Verran.  Also showing are two Falmouth alumni, Onya McCausland and Andrea McLean.

Celebrating the developments within contemporary printmaking practice including etchings, monoprints, lithographs, woodblocks, silkscreens and three-dimensional digital prints, this collection explores the way in which traditional techniques have evolved and examines some of the new technologies which are offering artists ever-changing methods of producing work.

The RA describe Verran’s work:

“Verran’s intuitive line creates boundaries and demarcations, repetitive patterning, and graphic symbols. These etchings explore a multifarious space with multiple viewpoints.

Primarily a painter, Verran’s imagery evokes layered and atmospheric space in which there are suggestions of peripheral movement; both human and mechanical. Her work also utilises symbols that suggest a darker preoccupation with global anxieties and fears of war and dislocation.”

The Edge of Printing is the fourth in a series of exhibitions presenting limited editions and unique works for sale, online and onsite, by Royal Academicians and other significant contemporary artists.