StreetDraw24 Exhibition | Not One Place

NOT ONE PLACE | REPORTAGE DRAWING EXHIBITION

Students of Falmouth’s BA(Hons) Illustration have designed and organised an exhibition at The Poly, Falmouth, to share work created by students and staff during their 24-hour drawing event on the streets of Falmouth in August, #streetdraw24, an event which aimed to raise awareness of street homelessness.

The Poly have generously provided their upstairs gallery free of charge for the two week exhibition, in support of the #streetdraw24 team’s aim of raising funds for St. Petroc’s Society, which undertakes valuable work with the street homeless.

Alongside the drawings created, the exhibition will feature an eerie soundscape created by second year BA(Hons) Film student Aaron Mason. Also featured are quotes from those who know what it’s like to live on the street. The exhibition reminds us that many different lives are lived in one town and that the street becomes another place when you have no home to go to.

The exhibition will be fascinating for anyone interested in day-to-day life in Falmouth, in the arts or in the social challenges facing this county. It also raises the question – what can art and artists do to help make the world a better place?

During the exhibition there will be opportunities to learn about the work of  St Petroc’s Society, a Truro-based organisation providing accommodation, support, advice, training and resettlement services to single homeless people in Cornwall. Funds will be raised for St Petroc’s through Donate& Draw – donate what you can afford and enter a draw to win a signed drawing by one of the #StreetDraw24 artists.

Student Helen Trevaskis was among the organisers of StreetDraw24. So far, over £700 has been raised through donationsHelen shared the learning from the 24-hour drawing event in a blog post back in August, and you can hear her talking to SourceFM the day after the event (Helen is introduced at 12:50)

Not One Place opens at the Poly Tuesday 2nd October, with a Private View open to all from 5:15-7:15. 

The exhibition runs until Saturday 13 October, Tuesday-Saturday 10am-5pm.

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#StreetDraw24: What can you do in 24 hours?

BA(Hons) Illustration student Helen Trevaskis was among the organisers of StreetDraw24, a drawing initiative to raise awareness and money for homeless charity St. Petroc’s. So far, over £500 has been raised through donations. You can hear Helen talking to SourceFM the day after the event (Helen is introduced at 12:50)

Following the pilot event, Helen shares 24 things that this reportage fundraiser taught her and her fellow drawers about life in Falmouth, about staying up drawing for 24 hours, and about trying to do something good in the world through art.

  1. A town is not one place. Using Falmouth as a reportage location across 24 hours showed us other sides of the town we live in…From the early morning workers busy while most of us are tucked up in bed, to the fitness fanatics using Jacob’s Ladder as their personal gym, to the late night car racers partying at Pendennis Point – the town has many sides.
  2. Not sleeping sends you a bit weird. During the 24 hours some drawers went from being intensely focused to barely able to speak – let alone draw – to practically hysterical with laughter at the smallest thing, or continually hungry. Fascinating what sleep deprivation does to you!
  3. Make it fun. Along the long walk from The Moor to Falmouth Cemetery via Pendennis, we played drawing games to get our energy up as midnight came and went. The results were not artistic masterpieces (or even a record of where we were, given we could barely see) but were one of the most memorable bits of the night.
  4. Stay safe. Even though we live in a safe town, we ensured no one drew alone at night, and we kept touch with each other via a Messenger group.
  5. Talk to people. During the 24 hours many interesting interactions occurred. One group, drawing on a housing estate, talked to an elderly couple who then fed them fruit. Another got #StreetDraw24 followed on Instagram by a creative agency in London after chatting to its founder. Many more revealed how many people are themselves artists in this town. Embrace such interactions – it’s one of the joys of location drawing.
  6. Start. Many of us were not sure what to draw when we first got out on the street despite lots of great advice from reportage supremo Anna Cattermole’s blog, written for us in the run up to #StreetDraw24 (sorry Anna!). While it can be good to have a plan perhaps what’s more important is getting going, because once you do, drawing tends to have its own momentum.
  7. Mix it up. Bringing variety into how you draw not just what you draw can help give you and your work energy, particularly as the hours tick by.
  8. Be respectful. There was a point at about 1am Friday where five of us were drawing a camper van parked at Gyllygvase Beach, and realised someone was probably asleep inside! As we quietly snuck off, we imagined how weird it would have been for the occupants to find us all there, reminding us it’s important to be respectful in choosing our locations.
  9. Keep repeating your message. #Streetdraw24 is designed to raise awareness about the problem of street homelessness in Cornwall, but it’s very easy for people to miss the point. So don’t be shy about repeating the why of what you’re doing, to get it across effectively, and then repeating it again.
  10. Make it social. While drawing in pairs or a group is not something illustrators and artists normally do, even the least extrovert among us got lots out of drawing on location together.
  11. Dogs are of the day cats of the night. This is just true.
  12. Keep going. Whether you’re on location for four hours or 12 or 24, you’re not going to be in the mood the whole time and not everything you produce will be great; but we definitely saw work evolve across the 24 hours, because we just kept going.
  13. Be shamelessly opportunist. Telling everyone you meet what you’re up to before, during and after an event like this is really valuable. Not just because they might want to get involved, but also because the story of what you’re doing is almost as important as the thing itself, and the more you tell it the better it will get.
  14. Drawing from observation matters. If you’re involved in the arts, you should draw, because drawing is less about drawings and more about looking at, engaging with and absorbing what’s around you – a core artistic skill.
  15. Collaboration is an important creative skill. This time around there were only a few people from beyond the BA Illustration course involved in StreetDraw24. It’s something we’ll shake up next time, because collaborating brings new ideas, perspectives and opportunities.
  16. Wet wipes are your friend. Whether you’re using messy charcoal, find there are no open public toilets near where you’re drawing, or you’ve taken food to eat and are worried about where your hands have been; you’re going to need wet wipes during an event like this.
  17. Be easy-going. This was a pilot, so for us it was important to have as few rules as possible, so people could invent what worked for them and we could learn.
  18. Most people are really nice. They are. So talk to them.
  19. Getting the money bit right is hard. #StreetDraw24 was designed as a fundraiser and fundraising is difficult but an event idea isn’t a good one if it doesn’t make money.
  20. “The more you look the more you see”. So true.
  21. Laughing helps warms you up. Also true but you still need a coat, thick socks and a hat if you’re out all night.
  22. There are lots of ways to take part. While a small band of drawers took to the streets last week, many other people sent messages of support, donated to St Petroc’s, and ‘liked’ or commented on the images we posted. To us they were all part of the #StreetDraw24 team.
  23. Feel lucky. There are many things those of us with homes to go to each night take for granted – like having a toilet when and where you want one. It’s important to remember this is not everyone’s reality and to remember how lucky we are.
  24. Be ambitious. Next up will be an exhibition of #StreetDraw24 work – exhibition space kindly donated by the Poly– in early October. But we’ve bigger plans, too, so watch this space…

You can donate to the StreetDraw24 fundraising page, in aid of St. Petroc’s, and you can see more of the resulting work, and hear about future initiatives via the StreetDraw24 Facebook page.

StreetDraw24: Raising awareness of homelessness in Cornwall.

For 24 hours starting at noon on 23 August, a small band of students and other locals will be drawing from the streets of Falmouth to raise awareness of Cornwall’s homelessness problem, as part of the first ever StreetDraw24. Here, one of the organisers, BA(Hons) Illustration student Helen Trevaskis, talks about the motivation and intention for the initiative… 

StreetDraw24: How can art be a force for good?

‘While beyond the Tamar, Cornwall may conjure up thoughts of pasties and clotted cream, happy childhood holidays and Poldark’s semi-clad antics on horseback along a never-ending coastline, anyone who spends proper time here knows that parts of the county face many and serious social problems. One of these is homelessness, with some reports highlighting an increase of 52% in rough sleeping in the county between 2009 and 2016. While the arts may not seem an obvious place to look to for ways to bring focus onto this problem, that’s exactly what StreetDraw24 wants to do.

How? Well, the idea is simple. Over a 24 hour period, ending at noon on the 24th of the month, draw from the streets of your town, post images to social media using the tag #streetdraw24 and share a link for donations to a relevant homelessness charity. After the event, use the best 24 images – one for each hour of the day – to promote the issue of homelessness and fundraise further. Then…learn, grow, repeat!

This will be the first ever StreetDraw24 and has been organised by first year students from Falmouth’s BA(Hons) Illustration keen to feel connected to and active in the community they now live in. With an emphasis on learning by doing on a small scale, they’ve been promoting the event on Facebook and raising funds for St Petroc’s Society – a Truro based charity supporting the single homeless. Along the way advice on location based drawing, ‘reportage’, has been shared from Falmouth students and tutors alongside information on Cornwall’s homelessness problem.

Some of those taking part in the event will draw from the streets for the whole 24 hours to bring attention to the sad reality that for some the streets are their home 24/7. So, if you see a damp cold looking person drawing from the streets of Falmouth at the end of next week go and talk to them – they’ll love to share what they’re doing! Or even better – take part by checking out the StreetDraw24 Facebook page, donating to St Petroc’s Society or offering ideas for how to make the impact of this initiative even bigger’.

 

Falmouth Illustrators Create Mural for Penryn Primary Academy

Second year BA(Hons) Illustration students Elleanna Bird, Sophie Freestone and Amelia Brooks recently completed  work on a mural to transform some of the interior space at Penryn Primary Academy.

The project, carried out at the school over three weeks, was a voluntary commission, enthusiastically taken up by the three friends. Elleanna commented, “We were all very keen to get started and we had lots of ideas to share. Our ideas encouraged the Head Teacher, who seemed very pleased and excited about what we had planned”. Elleanna says she feels grateful to have been involved, describing an atmosphere of encouragement and motivation; she feels that their enthusiasm in creating the work was kept high by the positive reactions of members of the school community who popped in to see how the project was coming along.

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Sophie reflects on the process of creating the pieces: “The three of us were working together on one painting, which meant all of our bizarre and strange ideas were multiplied by three! The murals happened in quite an organic way; although we had developed plans to work from, a lot of the visual elements came to life in the moment when we were drawing and painting straight onto the boards”.

Elleanna, Sophie and Amelia with Penryn Primary Academy Head Teacher James Hitchens, at the unveiling of the mural panels.

The result is a feast for the eyes – a vibrant panorama depicting creatures of land and sea, as well as Cornish motifs and legends. Sophie says, “I really enjoyed this project because of the unlimited amounts of colour and creativity we were permitted to use. In the paintings, if you look hard enough, you can spot a sea monster, a sloth playing the drums, a pair of feet belonging to a giant and a couple of dinosaurs wearing high heels!”.

The murals received a fantastic response from pupils when unveiled by the artists at a school assembly. Of the experience, Sophie said, “We had a fantastic few weeks painting the murals, and I would recommend anyone who gets the opportunity to get involved in a project such as this – local or afar – to say yes!”.

BA(Hons) Illustration Course Coordinators Natalie Hayes and Keryn Bibby have since met with Head Teacher James Hitchens and Assistant Head Chris Lee, to discuss possible future projects. They were shown around the school and discussed opportunities to involve Illustration students; from the possibility of murals for the walls of the swimming pool, production of inspirational imagery to enliven library spaces, or Illustration students working with Penryn Primary pupils on a series of creative workshops. Natalie commented, “Developing the bonds between Falmouth’s Illustration course and Penryn Primary Academy will provide our students with further excellent professional practice opportunities, and we hope will enhance the school experience for the primary pupils”.

Fine Art students’ residency at CAST, Helston

BA(Hons) Fine Art students Ella Schlesinger and Nicholas Sanderson recently secured one of Falmouth School of Art’s studio residencies, at CAST, Helston, where they have been working together for the past month. The result is England your England, an installation comprising sculpture and video, to be shown to the public at an open studio event to mark the end of their residency.

Ella says, “The piece presents a search for a more democratic and honest space to create a conversation about Britain. We see a massive emphasis put on verbal and written language: in other words, the tyranny of the spoken and written word. With the cultural weight of the English language and its global historical context, it leaves us with a predefined and therefore limited platform to connect with and express our individual selves. We want to challenge this vacant gap these words leave and how, using the language of materials we can reown the identity to our country. Humans, as multi-sensory organisms, are constantly reacting against spaces and places, objects and feelings, so why do we settle on such a single faceted form of communication? And how can we create a more immersive and inclusive form of communication through art?

 

 

 

The Drawn Exchange: A collaborative project

Alice Howard and Georgia Hunt

Falmouth School of Art student Alice Howard collaborated with her good friend and BA Photography student Georgia Hunt in the development of The Drawn Exchange, an art group involving residents at Abbeyfield Residential Home in Falmouth.

Georgia, a final year student of BA(Hons) Photography, had wanted to develop a photography workshop with residents after she discovered that some were creating beautiful artistic work in the privacy of their bedrooms. Georgia described as an immense privilege the access she gained to the private world of this community, but her plans soon broadened. She says, ‘The initial plan to begin a photography workshop was scuppered as I saw a greater need to encourage drawing, the most basic yet fundamental form of seeing. The purpose then shifted to center on relationship, the relationships between the residents and their relationship with drawing’. It was here that Alice became involved. A 3rd year student on BA(Hons) Drawing, Alice brought a love of literature and a foundational understanding of drawing, which underpinned the art group model, based on emotional awareness and creative freedom. Similar to the practice of Art Therapy, the emphasis lay in the process of making art. The success was in the quality of relationship as opposed to the final outcomes. The Drawn Exchange was born.

Each week the group got together around the living room table, with materials selected by the residents. The sessions began with an exercise to engage the emotional mind, to invite and express the unseen and then – responding to how they felt – they began to draw. Sometimes they worked with their non-dominant hand to activate the right hemisphere of the brain, to stimulate emotions, to open up a channel for feeling and to encourage emphasis away from the visual aesthetics of the drawing. Georgia says, ‘I think of it as preparing the ground  for further art making to occur, yet it was often the most profound. There is a raw and unknown quality that emerged through the drawings’.

The art group worked predominately from imagination and memory and the residents communicated their internal world, bringing a shift from emotional to physical. Georgia says, ‘The magic of drawing is that it has the capacity to bring to life those fading fragments of memory, unfolding like silent stories on paper’.

Alice introduced poetry into the group, to act as a catalyst for sparking memories and understanding feelings, which could then feed into drawings. Alice says, ‘In a number of sessions, we did collaborative drawings between two people. Starting from a poem enabled the drawer to delve deeper into their emotions sparked by that poem. The collaborative aspect meant that as the paper was turned and we each worked into the other’s drawing, it was no longer about responding to the poem but to the other persons drawing’. The drawing became a form of exchange.

The culmination of the project was a showcase of the work made and curated by the Abbeyfield Art Group.  The exhibition was shown in the communal areas at the Abbeyfield Residential home to the joy and acclaim of residents, students, and visitors. Georgia and Alice intend to explore the possibilities of continuing elsewhere the model they have developed here in Falmouth, following their graduation this summer.

 

BA(Hons) Fine Art Second Year Exhibition

The Poly, Falmouth, is host again this year to the second year exhibition by BA(Hons) Fine Art students. The student curatorial committee worked with Falmouth alumni Cat Bagg and Rosie Thomson-Glover of Field Notes, to set up the show and make any necessary changes to the curation.

The student curatorial committee share their experience of putting up the first half of the show, as they prepare for the launch of the second half this evening:

‘Students found the Poly enormously supportive in allowing us to use space and their equipment; for example, allowing one of our artists to use the grand piano in the upper space, and giving us a library room we hadn’t seen before, adding a wonderful new dimension for us to work with in order to take advantage of the space’s antiquated atmosphere and natural light.

Transporting work from the university in the pouring rain didn’t particularly hinder the set-up, and by lunch time the following day the show was basically completed and preparations for the Private view began. By 5:30 we’d already had 100 people through the door, and there was a real buzz to the evening, with an estimated 250-300 who came along. The wine and nibbles were gone very quickly, but the Poly allowed us to work alongside them and use their bar to serve extra drinks.

We’re now preparing to do it all again for the second show, which will contain more work with sculpture and audio-visual content, so we’re excited to see how we can shape the show differently in order to accommodate this’.

 

The second half of the exhibition is open to the public 10-5 on Wednesday 14 and Thursday 15 March, and 10-1pm on Friday 16th, at The Poly, Church Street, Falmouth.