Final year BA(Hons) Fine Art student Sophie Wright, has and exhibition opening in Penryn on 5 August, with fellow artist and student Rebecca Pearce-Davies. Heretics of the Mundane runs until 26 August, and all are welcome to the Private View from 6pm on 4 August.
Future-ore resides in the cortex of Redruth and is powered by their profitable history in copper and tin mining. The success is now grounded into a state of absence. A memory awaiting rejuvenation. The streets appear empty as imagery of the past paints a distance between the present. The community is tethered to the past without any direction of the future. Whilst the location is scattered with engine houses and chimney stacks all overgrown with nature, they stand as monuments. This architectural heritage is stamped with high street branding to regenerate the area but transcends into a pit of sameness. These issues point towards a new mineral.
Daniell Bethel and Sonja Johansson present ‘f u t u r e – o r e’ at Back Lane West on Friday 30 June 5 – 9pm and Saturday 1 July 10am – 4pm. A ‘Transitions’ graduate residency supported by Falmouth University. Daniell and Sonja have just completed their final year at Falmouth School of Art, studying BA(Hons) Fine Art.
HOW TO SWIM – a series of six contemporary art events in different spaces across Manchester’s Victoria Baths site.
Over the six events artists will react to the site, installing sculptures, paintings and video as well as performing live movement and spoken word pieces, holding workshops and giving talks.
Exhibit B: Treading Water is the second event of the series, and includes work by recent BA(Hons) Fine Art graduates Tanya Cruz and Jess Russell, and Mercedes Kemp, Senior Lecturer in Fine Art at Falmouth School of Art.
These events are organised and curated by recent Falmouth Fine Art graduates Polly Maxwell and Lulu Richards aka WHATCHAMACALLIT collective.
The events take place at the historic Victoria Baths in Manchester a listed Edwardian swimming pool and Turkish Baths complex.
14 May 2017 11:00 – 12 Nov 2017 16:00
HOW TO SWIM is an exciting series of six contemporary art events in different spaces across the Victoria Baths site in Manchester, featuring a number of other Falmouth alumni. Over six events, all taking place in conjunction with Victoria Baths Open Days, artists will react to the site, installing sculptures, paintings and video as well as performing live movement and spoken word pieces, holding workshops and giving talks.
‘Trying to Float’, is the first exhibit in the HOW TO SWIM series of exhibitions and artists events at Victoria Baths Open Days in Manchester.
Opens: 14 May 2017 11:00 -16:00
‘Trying to Float’ explores collective and social memory.
Video and sculptural works address collective domestic experience in Ting Waterhouse’s piece, ‘Laundry’.
Polly Maxwell’s ‘Stairs’ is accompanied by interactive spoken word from poet ‘T.S Idiot’.
‘Trying to Float’ takes place alongside the Victoria Baths Open Day and public swimming event. Entry to the building allows people to view the art and view swimming.
Adults £4, (standard prices £3) FREE for under 16s and VB Friends
Victoria Baths, Hathersage Road, Chorlton-on-Medlock, Manchester, M13 0FE. Tel: 0161 224 2020
Author, artist and designer Graham Rawle will give his inaugural lecture as Falmouth School of Art’s Visiting Professor of Illustration on 22 March 2017.
Internationally admired, Rawle is one of the UK’s most interesting and original visual communicators, known by many for his long running ‘Lost Consonants’ strip, which appeared in the Guardian from 1990. A writer and collage artist whose visual work incorporates illustration, design, photography and installation, Rawle has a strong following for his eagerly-awaited published books, which include The Card (shortlisted for the 2013 Writer’s Guild Award), Graham Rawle’s Wonder Book of Fun and Diary of an Amateur Photographer. His collaged novel Woman’s World, created entirely from fragments of found text clipped from vintage women’s magazines won wide critical acclaim, described by The Times as ‘a work of genius…the most wildly original novel produced in this country in the past decade.’ His reinterpretation of The Wizard of Oz won Book of the Year and Best Illustrated Trade Book at the 2009 British Book Design and Production Awards. Alongside these works, Rawle has produced regular series for The Observer, The Sunday Telegraph Magazine and The Times.
Rawle’s flair and passion for education has been recognised through honorary appointments and awards. As a previous contributor to both Falmouth School of Art’s guest speaker programme and its Illustration Forum he already has a strong interest in Illustration here. Of his appointment in 2016, Rawle said, “It’s a great honour for me to have been made Visiting Professor of Illustration at Falmouth University. I have long admired the School of Art’s commitment to nurturing original and individual thinking in art and design. My own research in sequential design and visual narrative spans across illustration, literature and, more recently, film. I’m interested in how the principles of storytelling, particularly three-act structure, can be employed in the development of design strategies across a wide range of disciplines. I look forward to finding ways of making connections with students, staff and researchers at Falmouth”.
Rawle has established himself as a ground-breaking research-led writer, illustrator and designer, evidenced through the range and depth of key scholarly texts that cite and analyse his work. He teaches on the MA Sequential Design/Illustration and MA Arts and Design by Independent Project courses at Brighton and in 2012 he was awarded an honorary doctorate for Services to Design from Norwich University of the Arts.
Graham Rawle’s lecture at our Falmouth Campus is free, but registration is required, as seats are limited: Click here to register through our Eventbrite page.
Find out more about our BA(Hons) Illustration and MA Illustration: Authorial Practice.
The Festival featured a programme packed full of premieres, previews, unique pop-up cinema events, themed screenings, discussions, Q&As and live performance.
Taking place at the CCA: ‘Centre for Contemporary Arts venue’, Glasgow’s hub for the arts, Gillian presented ‘Will Internets Eat Brain?’ a live performance of fragments, texts, images and ideas trending in some of her recent work, followed by a discussion.
Gillian works mainly with video, performance, object and text. Central to her work is a critical engagement with new technologies, the mediated and the installed and simple interconnections of agency. Her works tend to get made in response to contexts of location and place, encounter and dialogue(s), ad-hocism, foraging and chance. Works comment on some of the social and political implications of new technology and practices, often challenging traditional ideas of the art object and means of production or productivity. ‘Material things or stuff’ in relation to the video camera, processes of appropriation and post-production are constants through most of the work – perhaps a savage smell or hairy logic.
Gillian’s work has been shown nationally and internationally including Transmodern Live Art Action Festival, Baltimore; Videotage, Hong Kong; Alytus Biennial, Lithuania; Tao Scene, Norway; Lounge Gallery, London.