Final year BA(Hons) Fine Art student Sophie Wright, has and exhibition opening in Penryn on 5 August, with fellow artist and student Rebecca Pearce-Davies. Heretics of the Mundane runs until 26 August, and all are welcome to the Private View from 6pm on 4 August.
Second year BA(Hons) Fine Art students, Isaac Aldridge and Unn Devik joined their Senior Lecturers Mercedes Kemp and Lucy Willow at a two-day conference – Future Now – at York St John University. Isaac and Unn, whose attendance was partially funded by Falmouth School of Art, share their experience of the symposium:
‘Cherie Federico, the Co- Publisher, Editor and Director of Aesthetica opened the symposium with a soft, reinforcing message, reminding us of uncertain times with the unprecedented rate of technological intervention with the effects and questions that it brings to us in the present time. Federico mentioned the way technology can sway culture and enforce propaganda; we can see this through the brain washing of young people through the manipulation of religious intentions to commit acts of terror and political gain, but ultimately through art we are able to consider the events of the world; even though it’s shifting at a cataclysmic speed, we have some power of influence. It is a self-reflection on the 21st Century life and what it means.’ Isaac Aldridge
‘Future Now Symposium invited us to celebrate the shortlisted artists for the Aesthetica Art Prize 2017, and for the occasion arranged a vast series of lectures by professionals from the art world. Speakers came from Glasgow School of Art, Welcome Trust, ArtAngel, Arts Council, Visual Art South West, Icon Gallery, Whitechapel Gallery and many more. Themes of the Symposium included; the arrival of the digital age and how it affects the art world as we know it and, diversity in the art world and how to make it a more inclusive and culturally diverse scene on all levels. There were also sessions about funding and art prizes, relevant platforms when launching a career as a practicing artist.’
I feel privileged to have been given the opportunity by the university to attend the Future Now Symposium. All in all I feel more informed about the current situation of the Art World. Although it is a highly competitive and commercially driven world, it is full of opportunities. Hopefully, too, it is on its way to becoming a truly diverse place. An Art World utopia is a place where the Art World is not commercially driven and takes pride in nurturing and sustaining talent from across the globe – regardless of background. I think only then we can talk about making art for art´s sake – that is to imitate different realities of existence. We are far from this utopia– but I believe going to symposiums and other events like Future Now is a great way of getting to know yourself and what you find to be valuable and worthwhile – thus creating your own idea of a utopia.’ Unn Devik
Future-ore resides in the cortex of Redruth and is powered by their profitable history in copper and tin mining. The success is now grounded into a state of absence. A memory awaiting rejuvenation. The streets appear empty as imagery of the past paints a distance between the present. The community is tethered to the past without any direction of the future. Whilst the location is scattered with engine houses and chimney stacks all overgrown with nature, they stand as monuments. This architectural heritage is stamped with high street branding to regenerate the area but transcends into a pit of sameness. These issues point towards a new mineral.
Daniell Bethel and Sonja Johansson present ‘f u t u r e – o r e’ at Back Lane West on Friday 30 June 5 – 9pm and Saturday 1 July 10am – 4pm. A ‘Transitions’ graduate residency supported by Falmouth University. Daniell and Sonja have just completed their final year at Falmouth School of Art, studying BA(Hons) Fine Art.
Falmouth School of Art has become a partner in the British Council’s Venice Fellowships Programme, and we are very pleased to announce that our first Fellow, attending the 57th Biennale Arte this autumn, will be final year BA(Hons) Fine Art student Abbie Hunt.
The Venice Fellowships is a steward-research programme which brings together students and volunteers from partner universities and organisations across the UK, and provides them with a month at the Venice Biennale, where they split their time between invigilating the British Pavilion exhibition and conducting independent research.
Abbie has already taken part in a two-day induction in London, where Fellows received training in the practical aspects of stewarding and received support in developing their research ideas. She reflected, “Even after the induction, having this opportunity still doesn’t seem real. I’m very excited and nervous but after meeting the other Fellows I will be invigilating with in October I feel a lot more settled. The Fellowship has given me an instant network and I feel installed into another family as everyone was confident and friendly. There was a real buzz during the induction, as collectively we were positive and willing to learn and make these connections”.
Falmouth School of Art’s Director, Dr. Virginia Button, said, ‘I’m delighted that through our partnership in the British Council’s prestigious Fellowship programme, Abbie will be spending a month at the Venice Biennale this year. It’s so important for our students to continue thinking and engaging globally, and immersion in Europe’s most established international contemporary art exhibition is sure to be really inspiring. I think it’s great that the Fellowship supports both professional practice and research, allowing graduates to really get the most out of the experience.’
For Abbie, the Venice Fellowship will come soon after graduation, but her success in securing her place has already had an impact: “The Fellowship came at such a good time, as I come to the end of my degree, because it has given me a new sense of confidence and aspiration for when I finish and enter the real world. Having this amazing opportunity has really made me consider the pathway of working within a gallery context whilst still having the freedom to develop my practice”.
To secure her place on the Fellowships Programme, Abbie had to complete the British Council’s written application, from which a small number of candidates were shortlisted by a Falmouth School of Art panel to be interviewed by the British Council. Abbie’s research interests already aligned with this year’s Biennale – her dissertation included research on this year’s British Pavilion artist: “In terms of the Fellowship research, I am massively interested in expanding on my dissertation, as this surrounded Phyllida Barlow’s work. Being able to interact with the public and observing their responses to her exciting unseen exhibition will definitely take my understanding to a completely new level”.
Falmouth School of Art plans to keep in touch with Abbie and hear more about her experiences during the autumn. “I really don’t feel like I can anticipate the experience I will have in Venice until I’m actually living there”, she adds, “but it’s going to keep me going in the last few weeks before deadline!”.
In association with Tate St. Ives, artist Jessica Warboys, who graduated from BA(Hons) Fine Art at Falmouth in 2001, joins us for a talk on 29 March, to mark her first solo show at a UK national gallery, at Tate St. Ives this Spring.
Warboys works across painting, performance, film and sculpture; her work is informed by personal or collective memories – historical, mythical or fictional. In her Sea Paintings, Warboys explores the connection between painting and performance, submerging damp, folded canvas scattered with coloured pigments into the sea, and allowing the movement of the waves to ‘paint’ the canvas. The show at Tate St. Ives will feature films, sculptures and paintings, including two specially commissioned works:
Sea Painting, Zennor 2015, was made on the Zennor coast near St Ives.
Hill of Dreams 2016, is a new film that draws from Welsh fantasy writer Arthur Machen’s book of the same name, that relives his memories of rural Gwent, where Warboys was born a century later. Hill of Dreams has been commissioned by Tate St Ives, Casa Masaccio, San Giovanni Valdarno, Italy and Kunsthall Stavanger, Norway and will tour to each of these venues throughout 2016−17.
Warboys currently lives and works in Suffolk and Berlin and has enjoyed wide international exhibition success, including solo exhibitions. After graduating from Falmouth she completed a Masters of Fine Art at Slade School of Art in 2004. Her work was recently included in British Art Show 8.
Register Here for Jessica Warboys’ talk on 29 March, 6pm, Lecture Theatre 1, Falmouth Campus. Please note the later than usual start time.
Jessica Warboys at Tate St. Ives runs from 31 March to 3 September 2017.