Drawing and Fine Art alumni present new work

Alumni Theo Crutchley-Mack and Sam Wood have announced a joint exhibition showing new work based in and around Falmouth town.

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In recent months, both artists have been working on small en plein air paintings, used to develop more sustained works, all of which will be exhibited at The Poly, Falmouth, from Tuesday 24 July (including private view on 24th 6-9pm).

Theo graduated from BA(Hons) Drawing, and Sam from BA(Hons) Fine Art, in 2015. Both have since pursued their art full time, with exhibition, prize and residency success.

Theo is currently based in West Wales; he has this year undertaken a 6 week period as Artist in Residence at the abandoned whale station in Grytviken, for the South Georgia Heritage Trust. Sam now lives and exhibits in Newcastle, so it’s great to be able to see work from both artists in Falmouth once again.

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Fine Art Senior Lecturer Mercedes Kemp on 100:UnEarth by WildWorks

BA(Hons) Fine Art Senior Lecturer, Mercedes Kemp, is also Community and Research Director of international site-specific theatre company WildWorks. Here she talks about the company’s current production, at the Lost Gardens of Heligan – outdoor promenade performance 100:UnEarth – for which she is Lead Artist, Writer and Researcher…The acclaimed production is on until 22 July 2018, tickets from Hall For Cornwall

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‘100:UnEarth tells the story of Orpheus and Eurydice. A tragic love story. Orpheus returns to his beloved wife Eurydice. On the day they are reunited she is killed in a tragic accident. Orpheus cannot accept her death and embarks on an audacious quest to pluck her out of the Underworld. Our telling of the story is set in the vast grounds of the Lost Gardens of Heligan, and is told in a grand scale.

In 100:UnEarth, WildWorks have set the myth against the background of the First World War and the catastrophic losses it produced. The war has ended. The men are coming home. Many are damaged, broken. They return to the families they left behind. Their women have learned to survive alone, to be self-reliant, work the land, feed themselves and their children. Nothing will ever be the same…

As we journey through the Underworld we encounter the souls of those who lost their lives in the Great War, but also of those who died in more recent conflicts. Hades, the great Lord of Death continues to reap his harvest.

The Lost Gardens of Heligan give us the perfect metaphor. A place where growth and decay co-exist. A place full of promise. A place that teaches us a valuable lesson. Death is inevitable. Gardens die out in the winter, but they return back to life in the spring. And love goes on, endlessly regenerating itself.

This multi-disciplinary promenade production uses every art form: stage design, installation, performance, music, soundscape, video projection. And its connections to Falmouth University are strong: students from AMATA have done an amazing job, alongside 200 community volunteers and a team of sixty professionals. Production Designer Myrddin Wannell and Community Projects and Underworld Designer Ellie Williams are both BA(Hons) Fine Art alumni and were my students twelve years ago. Undergraduates and graduates from the School of Film and Television have been capturing our every move. Associate Lecturer in Dance and Choreography, Emily Dobson, has given performers all their moves.

I am immensely proud to have led this project to completion. Catch it if you can. Until July 22nd at the Lost Gardens of Heligan‘.

100: UnEarth is co-commissioned by 14-18 NOW and The Lost Gardens of Heligan

“Last night, some magic in the mist. 100: UnEarth a beautiful immersive experience, A love story inspired by Orpheus and Eurydice. See this if you can.” Falmouth University Chancellor Dawn French on Twitter

Circle Triangle Square presents ‘Remades and Readymades’

Bronwen Anwyl, Daniel Bethell and Edward May graduated from BA(Hons) Fine Art at Falmouth in 2017. Recent work by the three artists is being shown in Peckham, London, this July.

Remades and Readymades is presented by Circle Triangle Square, an art platform set up by Edward May following his degree. The exhibition explores the aesthetic and theoretical themes surrounding man-made objects and the natural environment (and the crossover between them), in the context of the art gallery.  

“Rock, Paper, Scissors – When microbes play games”

“Rock, Paper, Scissors – When microbes play games” is a graphic novel telling the toils and hardships of a cunning little virus triumphing over its enemies with the help of a valiant knight. It illustrates the intense struggles between viruses of bacteria and their bacterial hosts. The graphic novel is currently being developed under an intense collaboration between Andrei Serpe (recent graduate in BA(Hons)Fine Art , Falmouth University) and Mariann Landsberger (postdoctoral researcher, University of Exeter). It will be available in English, German and French.

Mariann says “The project received seed funding from the ESI Creative Exchange Programme in March 2018 (Environment and Sustainability Institute, Penryn Campus, University of Exeter), allowing us to establish our collaboration, create initial designs and a storyboard, and seek additional funding. The creation of the graphic novel is primarily financed by the European Society for Evolutionary Biology (ESEB), who awarded us the European Outreach Initiative Fund at the beginning of May 2018 and the Microbiology Society, who supported the project since beginning June 2018 with the Education and Outreach Grant. The project also received the Public Engagement Grant from the Genetics Society, which contributes to the development and promotion of the graphic novel. We are actively looking for a publisher to distribute print versions of the graphic novel. The graphic novel is intended to appeal to both teenagers and adults and aims to spark a curiosity for microbiology and evolutionary biology in the reader.”

 

The following exhibitions feature the final graphic novel, character designs and concept art:

  • The Poly: Spring Gallery 9th – 14th July 2018 at The Poly, 24 Church Street, Falmouth TR11 3EG, UK
  • Falmouth Café Scientifique: Presentation of the graphic novel, creative process and the science behind the story: 11th July 2018 7.45 pm at The Poly
  • Hand Beer Bar: 1st – 30th September 2018 at Old Brewery Yd, High St, Falmouth TR11 2BY

Mariann’s experience

“I really enjoy collaborating with Andrei on “Rock, Paper, Scissors – when microbes play games”. It inspires and motivates my research and everyday life. Andrei is bright, full of energy and I could not have wished for a better collaborator for the project. Whilst I write the storyline, we jointly work on its interpretation into the format of a graphic novel. I highly appreciate our conjoined effort, which I imagine less probable to naturally occur when commissioning an established artist, who would have had more experience in illustrating projects independently. It is a genuine exchange of ideas and concepts on both sides.

I would like to thank the ESEB for their invaluable support and encouragement. The European Outreach Initiative Fund allows us to fully illustrate the graphic novel, display our work and gather the public’s opinion, which will be crucial to create the final print-ready version of the graphic novel.

The Creative Exchange programme at the Environment and Sustainability Institute (Penryn Campus) inspired and encouraged me to take the time and make the effort to conceptualise and develop this project. The programme motivates and supports researchers to seek out and work with local artists. The only reason I could even consider developing the project and applying to the European Society for Evolutionary Biology (ESEB) for funding was due to the initial seed funding provided by the Creative Exchange Programme.”

Andrei’s experience

“Working on this project with Mariann has provided an amazing opportunity for me for which I am grateful. Over the past three years I have been and am still developing a series of narratives, making this chance to illustrate a novel as my gateway into the industry incredible.

The challenge of illustrating this story was that it was that was completely new to me, in a subject matter I have never studied. This helped me develop my researching skill in researching something that I have never encountered. I found that throughout this project I have been learning and understanding Mariann’s research in a much deeper sense than I previously could. Working with Mariann has given me an insight into the industry and the key to collaborative projects, compromise. It has given me the confidence to put myself out there and advertise myself in the industry to enter the world of freelance as a career.

Overall, this has been a rewarding experience and I intend to carry on exploring narrative comics for many years to come. I have plenty of plans for projects and other collaborations for the future.”

Please visit their blog for updates on the most recent developments, upcoming events and exhibitions, information about their supporters and contact details.  If you would like to display their project in your space, please contact them….they would love to exhibit in a range of venues to engage as many people as they can. Feel free to share the blog with your friends and family, comment and send them any questions you have regarding the project.

Fine Art students’ residency at CAST, Helston

BA(Hons) Fine Art students Ella Schlesinger and Nicholas Sanderson recently secured one of Falmouth School of Art’s studio residencies, at CAST, Helston, where they have been working together for the past month. The result is England your England, an installation comprising sculpture and video, to be shown to the public at an open studio event to mark the end of their residency.

Ella says, “The piece presents a search for a more democratic and honest space to create a conversation about Britain. We see a massive emphasis put on verbal and written language: in other words, the tyranny of the spoken and written word. With the cultural weight of the English language and its global historical context, it leaves us with a predefined and therefore limited platform to connect with and express our individual selves. We want to challenge this vacant gap these words leave and how, using the language of materials we can reown the identity to our country. Humans, as multi-sensory organisms, are constantly reacting against spaces and places, objects and feelings, so why do we settle on such a single faceted form of communication? And how can we create a more immersive and inclusive form of communication through art?

 

 

 

Artists announced for Falmouth Fine Art London 2018

We’re delighted to announce the names of the artists selected by critic and curator Sacha Craddock from our 2018 BA(Hons) Fine Art degree show, to exhibit at this year’s Falmouth Fine Art London.

Molly Allam | Matilda Beale | Crystal Bonnell | Isabelle Carr | Rebecca Cave | Antonia Eden | Brittney Formosa | Juliet Gibbs | Adriana HancockSamuel Hines | Daniel Hollings | Ellen Leach | Olivia Lo | Oscar McCarthy | Amy McMillan | Henry Merrick | Henry Phillips | Holly Roseveare | Megan Stacey | Amelia Thompson | Ashleigh Trim |  Katja Wendland | Edward Wills Garcia | Alexandra WindsorLouis Winyard-Sears

Falmouth Fine Art London will take place at Copeland Gallery London , curated by artist Jesse Leroy Smith.

On being a Groundwork Intern…

Second year BA(Hons) Fine Art student Bianca Cocco was recently awarded a two-week internship supporting the opening of the Groundwork season of international art in Cornwall. Supported by funding through Arts Council England’s Ambition for Excellence scheme, Groundwork is organised by CAST (the Helston-based Cornubian Arts and Science Trust) in partnership with Kestle BartonNewlyn Art Gallery & The Exchange and Tate St Ives.

Bianca reflects on her experience…

‘My 2-week placement at CAST as Groundwork intern allowed me many opportunities to gain insights in how multi-site exhibitions can be organised. Many staff members and volunteers were artists and students, so I made a few new acquaintances and the conversations were quite enlightening. It certainly broadened my horizons and I discovered a great deal about the local art community and gleaned insights into what could lie ahead after graduation.

Steve McQueen, ‘Gravesend’ (2007), presented for Groundwork at CAST in Helston. Image: Jamie Woodley © CAST (Cornubian Arts & Science Trust)

Christina Mackie, ‘The Judges II’ (2012-2018), presented for Groundwork in the King’s Room at National Trust Godolphin. Image: Jamie Woodley © CAST (Cornubian Arts & Science Trust)

My first day as intern involved some hosting for the resident artists at breakfast before they set off to install and talk about their work with staff and volunteers.  That day was extremely busy and involved preparation and placement of roadside signage about the events around Helston and surrounding areas – it was important to ensure visitors were able to locate the various sites. There was also much to do at CAST as building works had just finished and the spaces needed clearing.

During the opening weekend I travelled to various locations such as Godolphin House, Goonhilly Earth Station and Kestle Barton, where my primary role was greeting and guiding guests to the exhibitions. The atmosphere was lively and positive – I really enjoyed myself and didn’t notice how long the day had been when it culminated in Andy Holden’s evening performance at AMATA at the Penryn campus.

Subsequent days involved invigilating the various exhibition spaces and works by Steve McQueen, Semiconductor, Simon Starling and Christina Mackie. Invigilation can give you a chance to spend prolonged time with artworks and it was particularly relevant for me as most were AV-based and this is my main area of interest. Christina Mackie’s work at Godolphin was rich and mysterious so I was grateful for the opportunity to study her work in detail and read press material relating to her installation.

Overall, I gained a deeper understanding of the effort involved in organising exhibitions and it enhanced my appreciation of the works and institutions involved. I would highly recommend pursuing work placements at some stage during study as it helps to ground you and offers realistic expectations of how life can unfold after graduation. My experience at CAST was invaluable to me and I’m grateful to have been able to contribute in some way to the success of Groundwork’s opening week’.

Groundwork Coordinator Josie Cockram commented, ‘Groundwork internships support people at the beginning of their careers to gain experience working alongside the team in the delivery of an ambitious programme of international art. We’ve been delighted to work with Falmouth University students working as interns and volunteers. Bianca was a big help during our opening weeks and we’re very pleased that she will stay on board as a volunteer invigilator as the programme continues’.

With an emphasis on moving image, sound and performance, the Groundwork programme of exhibitions and events in 2018 includes presentations of important new commissions and acclaimed works by internationally celebrated artists in venues and outdoor sites across West Cornwall. Volunteers are welcomed as the programme continues – to find out how to get involved, visit the volunteer section of the Groundwork website.