On being a Groundwork Intern…

Second year BA(Hons) Fine Art student Bianca Cocco was recently awarded a two-week internship supporting the opening of the Groundwork season of international art in Cornwall. Supported by funding through Arts Council England’s Ambition for Excellence scheme, Groundwork is organised by CAST (the Helston-based Cornubian Arts and Science Trust) in partnership with Kestle BartonNewlyn Art Gallery & The Exchange and Tate St Ives.

Bianca reflects on her experience…

‘My 2-week placement at CAST as Groundwork intern allowed me many opportunities to gain insights in how multi-site exhibitions can be organised. Many staff members and volunteers were artists and students, so I made a few new acquaintances and the conversations were quite enlightening. It certainly broadened my horizons and I discovered a great deal about the local art community and gleaned insights into what could lie ahead after graduation.

Steve McQueen, ‘Gravesend’ (2007), presented for Groundwork at CAST in Helston. Image: Jamie Woodley © CAST (Cornubian Arts & Science Trust)

Christina Mackie, ‘The Judges II’ (2012-2018), presented for Groundwork in the King’s Room at National Trust Godolphin. Image: Jamie Woodley © CAST (Cornubian Arts & Science Trust)

My first day as intern involved some hosting for the resident artists at breakfast before they set off to install and talk about their work with staff and volunteers.  That day was extremely busy and involved preparation and placement of roadside signage about the events around Helston and surrounding areas – it was important to ensure visitors were able to locate the various sites. There was also much to do at CAST as building works had just finished and the spaces needed clearing.

During the opening weekend I travelled to various locations such as Godolphin House, Goonhilly Earth Station and Kestle Barton, where my primary role was greeting and guiding guests to the exhibitions. The atmosphere was lively and positive – I really enjoyed myself and didn’t notice how long the day had been when it culminated in Andy Holden’s evening performance at AMATA at the Penryn campus.

Subsequent days involved invigilating the various exhibition spaces and works by Steve McQueen, Semiconductor, Simon Starling and Christina Mackie. Invigilation can give you a chance to spend prolonged time with artworks and it was particularly relevant for me as most were AV-based and this is my main area of interest. Christina Mackie’s work at Godolphin was rich and mysterious so I was grateful for the opportunity to study her work in detail and read press material relating to her installation.

Overall, I gained a deeper understanding of the effort involved in organising exhibitions and it enhanced my appreciation of the works and institutions involved. I would highly recommend pursuing work placements at some stage during study as it helps to ground you and offers realistic expectations of how life can unfold after graduation. My experience at CAST was invaluable to me and I’m grateful to have been able to contribute in some way to the success of Groundwork’s opening week’.

Groundwork Coordinator Josie Cockram commented, ‘Groundwork internships support people at the beginning of their careers to gain experience working alongside the team in the delivery of an ambitious programme of international art. We’ve been delighted to work with Falmouth University students working as interns and volunteers. Bianca was a big help during our opening weeks and we’re very pleased that she will stay on board as a volunteer invigilator as the programme continues’.

With an emphasis on moving image, sound and performance, the Groundwork programme of exhibitions and events in 2018 includes presentations of important new commissions and acclaimed works by internationally celebrated artists in venues and outdoor sites across West Cornwall. Volunteers are welcomed as the programme continues – to find out how to get involved, visit the volunteer section of the Groundwork website.

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Falmouth School of Art Lecturers selected for John Moores Painting Prize 2018

Virginia Verran, Associate Lecturer on BA(Hons) Fine Art and Peter Matthews, Visiting Lecturer on BA(Hons) Drawing, have been shortlisted for the John Moores Painting Prize 2018.

This year the John Moores Painting Prize is celebrating 60 years. Named after sponsor Sir John Moores (1896-1993), it is the UK’s best-known painting competition, and culminates in an exhibition held at the Walker Art Gallery every two years, forming a key strand of the Liverpool Biennial.

The John Moores exhibition is held in partnership with the John Moores Liverpool Exhibition Trust, and showcases some of the best contemporary painters from across the UK.

Sir Peter Blake became the first Patron of the Prize in 2011 and says, “The John Moores is one of the most prestigious art competitions in the UK and winning the Junior Prize in 1961 is one of the achievements of which I am most proud.”

Virginia Verran – current work at her studio in Bethnal Green, London.

 

 

Peter Matthews  is a Visiting Lecturer on our BA(Hons) Drawing. Of his success this year he says, “Really delighted to be showing a large scale painting at the 60th John Moores Painting Prize”.

 

Virginia Verran was born in Falmouth and has taught Fine Art since 1990. She is an Associate Lecturer on Falmouth’s BA(Hons) Fine Art course, and also teaches at Chelsea College of Art and Design. In 2010 she won the Jerwood Drawing Prize and this year her entry in the 2018 John Moores Painting Prize is titled ‘Black Star’; a large piece measuring 6ft x 5ft6ins.  She lives in London and works in her studio in Bethnal Green.

 

 

Coming Soon…Falmouth School of Art Degree Shows

The studios are cleared, third years have moved in with paint, tools and the labours of their final year and are already transforming the spaces into what promises to be a diverse and vibrant degree show from Falmouth School of Art this year.

Students of BA(Hons) Drawing, BA(Hons) Fine Art and BA(Hons) Illustration will open their shows to the public on Friday 25 May, including a launch that evening, 6-9pm, all welcome. As well as final degree work from our third years, separate exhibitions will showcase work from our first and second year BA(Hons) Illustration and BA(Hons) Drawing students.

The shows will be open as follows:

  • Friday 25 May, 10-4pm
  • Friday 25 May 6-9pm exhibition launch, all welcome
  • Saturday 26 May 10-4pm
  • Sunday 27 May 10-4pm
  • Monday 28 May (bank holiday) 10-4pm
  • Tuesday 29 May 10-4pm
  • Wednesday 30 May 10-4pm

Get the dates in your diaries and we’ll see you in three weeks!

For details of all Falmouth University summer shows, see the website.

Student exhibition opening at The Fish Factory – Tristiam and Iseult

 

A group of BA(Hons) Fine Art students have put together an exhibition at the newly re-located Fish Factory Art Space in Commercial Road, Penryn.

 

‘A group exhibition of our most recent works.

Titled ‘Tristiam and Iseult’, inspired by the Cornish myth, this exhibition presents a group of artists who moved to Cornwall, fell in love and never left.

The hypnotic and dreamlike environment that is Falmouth, we present to you a snippet of our creative processes and a look at our last 3 years here.

From painting to illustration to sculpture, expect a range of different works and see how we inspire each other.’

Exhibition of paintings by Glad Fryer at the Jellyfish Arts Hub in Devon.

“What shall we do tomorrow” an exhibition of paintings by Glad Fryer, Senior Lecturer on the BA(Hons) Fine Art course, opens at the Jellyfish Arts Hub, Buckfastleigh, Devon on Friday 4th May.


Glad says “The work in this exhibition, ‘What shall we do tomorrow’, explores how we live with images both worn out and potent. I am at once driven by an amnesic compulsion (a drive towards loss and annihilation of memory) to archive and aestheticise images, while equally coveting their ability to prick, puncture and cut through the dispassionate collecting, which can yield moments of insight that extend knowledge. While painting, I have authorship of this personal, political, ethical, aesthetic and embodied experience. It occurs between archiving and forgetting, between material and signification, between interiority and exteriority. These re-acquaintances with images are critical to the formulation of ‘self’.”

The exhibition runs until 30th May.

Falmouth School of Art Drawing Forum 2018

The Falmouth School of Art Drawing Forum 2018 posed the question ‘What Does Drawing Do?

It has been a long established assumption that drawing underpins most disciplines within the creative sector, but what drawing does, and how it functions for different practitioners, is probably an ever-changing and essential component.

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By asking a series of speakers to talk about what drawing does for them, this forum hoped to develop a better understanding of the possibilities and functions of drawing. As well as Falmouth-based researchers, the event welcomed guest speakers of national and international standing, including:

Storyboard Artist Jay Clarke worked on the Oscar-winning Wallace & Gromit & the Curse of the WereRabbit and other projects with Aardman and was lead storyboard artist for The Grand Budapest Hotel, which won Silver Bear at the Berlin Film Festival and the Oscar for Best Production Design. He is currently storyboarding Universal’s The Voyage of Dr Dolittle and creating an illustrated children’s novel.

Multi-disciplinary artist Solveig Settemsdal lives and works in London and Bristol; she won the Jerwood Drawing Prize for her video work Singularity in 2016.

Ed Eva and George Baldwin formed the drawing research partnership eegb after graduating from Falmouth’s BA(Hons) Drawing in 2014. eegb’s practice lies at the intersection of drawing and technology; they build machines that draw, have been awarded a number of residencies and grants and have exhibited in the UK, Ireland, Germany and the USA.

This video shares sections of the eight short talks on how drawing is used in contemporary creative practice:

 

 

 

Fine Art Alumni showing at Belgrave, St Ives. Exhibition runs 2 to 23 April.

Recent Fine Art Alumni Sarah Woods and Jack Paffett are showing their work at the Belgrave St Ives from 2 to 23 April 2018. The exhibition is entitled Artscape: New Contemporary Painters and Sarah and Jack will be exhibiting alongside Jack Watson.

Sarah Woods: FSA Alumni BA(Hons) Fine Art

Jack Paffett: FSA Alumni BA Fine Art

 

 

 

 

 

 

 

 

 

 

 

The New Contemporary Painters will be shown in conjunction with the key St Ives Modernist W.Barns-Graham: A Unique Collection of Works on Paper.  This is an exciting exhibition of previously unseen wave/line works by the artist, that have been held in a private collection since the 1970’s.

W. Barns-Graham