First look at this autumn’s Guest Speaker programme…

This autumn we welcome five outstanding Guest Speakers to deliver lectures to students of Falmouth School of Art. Speakers include return visits from our two Visiting Professors, and an exciting event in association with the Groundwork project. Places are available at each for members of the public, our arts partners across the region and our alumni.

Places limited, registration required. Click here for more details and links to registration.

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New digital artwork from Rosie McGinn, on AVD

“Tonight you’re mine, completely…”, the lyrics from a Shirelles’ classic play out to a pumped up Prince Naseem Hamed staring down his opponent Kevin Kelley

The scene features in new artwork from British artist and 2015 BA(Hons) Fine Art alumna Rosie McGinn. Boxing Series 1  is released on AVD, a digital art platform designed for mobile consumption. Artists provide the art, and AVD provides the coding. Not only offering an alternative to the white gallery space, the technology reduces work to the width of a mobile screen, allowing the viewer to determine their journey through the artwork by finger swipes, rather than having it curated for their physicality.

McGinn’s video pieces are embedded within a stream of fake adverts, porn, betting deals and forums, in the midst of which is the video piece ready to be played. McGinn brings the ever-popular, often controversial sport of boxing to the art world for evaluation, juxtaposing animalistic pre-fight stare-downs with love songs.

The first of the series of four Boxing Stare Downs was released on 17 September, with the next being released at three-day intervals. To view, go to a-v-d.xyz on your mobile.

 

Sophie Wright, BA(Hons) Fine Art student – new exhibition

Final year BA(Hons) Fine Art student Sophie Wright, has and exhibition opening in Penryn on 5 August, with fellow artist and student Rebecca Pearce-Davies. Heretics of the Mundane runs until 26 August, and all are welcome to the Private View from 6pm on 4 August.

https://www.facebook.com/HereticsoftheMundane/ 

Falmouth becomes a Partner in the British Council’s Venice Fellowships Programme

Falmouth School of Art has become a partner in the British Council’s Venice Fellowships Programme, and we are very pleased to announce that our first Fellow, attending the 57th Biennale Arte this autumn, will be final year BA(Hons) Fine Art student Abbie Hunt.

Exterior of the British Pavilion on the occasion of Sarah Lucas’s exhibition, I SCREAM DADDIO, at the British Pavilion, 2015. © Cristiano Corte.

The Venice Fellowships is a steward-research programme which brings together students and volunteers from partner universities and organisations across the UK, and provides them with a month at the Venice Biennale, where they split their time between invigilating the British Pavilion exhibition and conducting independent research.

Abbie has already taken part in a two-day induction in London, where Fellows received training in the practical aspects of stewarding and received support in developing their research ideas. She reflected, “Even after the induction, having this opportunity still doesn’t seem real. I’m very excited and nervous but after meeting the other Fellows I will be invigilating with in October I feel a lot more settled. The Fellowship has given me an instant network and I feel installed into another family as everyone was confident and friendly. There was a real buzz during the induction, as collectively we were positive and willing to learn and make these connections”.

Falmouth School of Art’s Director, Dr. Virginia Button, said, ‘I’m delighted that through our partnership in the British Council’s prestigious Fellowship programme, Abbie will be spending a month at the Venice Biennale this year. It’s so important for our students to continue thinking and engaging globally, and immersion in Europe’s most established international contemporary art exhibition is sure to  be really inspiring. I think it’s great that the Fellowship supports both professional practice and research, allowing graduates to really get the most out of the experience.’

untitled: dock: emptystaircasehoarding, 2014, Phyllida Barlow. Installation view, dock, Duveen Commission, Tate Britain, London, England, 2014. Photo: Alex Delfanne ©
Phyllida Barlow. Courtesy the artist and Hauser & Wirth

For Abbie, the Venice Fellowship will come soon after graduation, but her success in securing her place has already had an impact: “The Fellowship came at such a good time, as I come to the end of my degree, because it has given me a new sense of confidence and aspiration for when I finish and enter the real world. Having this amazing opportunity has really made me consider the pathway of working within a gallery context whilst still having the freedom to develop my practice”.

To secure her place on the Fellowships Programme, Abbie had to complete the British Council’s written application, from which a small number of candidates were shortlisted by a Falmouth School of Art panel to be interviewed by the British Council. Abbie’s research interests already aligned with this year’s Biennale – her dissertation included research on this year’s British Pavilion artist: “In terms of the Fellowship research, I am massively interested in expanding on my dissertation, as this surrounded Phyllida Barlow’s work. Being able to interact with the public and observing their responses to her exciting unseen exhibition will definitely take my understanding to a completely new level”.

Falmouth School of Art plans to keep in touch with Abbie and hear more about her experiences during the autumn. “I really don’t feel like I can anticipate the experience I will have in Venice until I’m actually living there”, she adds, “but it’s going to keep me going in the last few weeks before deadline!”.

Isles of Scilly Trip a Big Success

BA(Hons) Drawng students at Gallery Tresco

BA(Hons) Drawng students at Gallery Tresco

Last week BA(Hons) Drawing First Year students spent six days on the island of Tresco, making drawings in the Abbey Gardens and working from the stunning and varied landscape.  This annual trip once again coincided with the opening of the BA Drawing show at Gallery Tresco and several drawings were sold at the Private View to visitors to the islands.

 

 

 

Artist Tania Kovats to talk at Falmouth

“I think all artists are witnesses. And sometimes you have to be a responsible witness”.

Tania Kovats joins us in Falmouth on Wednesday 2 November. Her work explores our experience and understanding of landscape. Since receiving the Barclays Young Artist Award at London’s Serpentine Gallery in 1991, Kovats has become known for her sculptures, large-scale installations, temporal works and drawings.

Evaporation, Tania Kovats, solo exhibition, installation view, Museum of Science and Industry, Manchester (2015)

Evaporation, Tania Kovats, solo exhibition, installation view, Museum of Science and Industry, Manchester (2015)

Rain II, 2015, ink on blotting paper, framed, 59.7 x 54.3 cm, 23.5 x 21.4 in

Rain II, 2015, ink on blotting paper, framed, 59.7 x 54.3 cm, 23.5 x 21.4 in

Kovats’ interest in drawing is reflected in works including British Isles and All the Islands of All the Oceans. She is also author of The Drawing Book – a Survey of drawing: the primary means of expression (2007), and Course Director for MA Drawing at Wimbledon College of Art, London.

Perhaps best known for her large-scale works in the public realm, Kovats produced Tree (2009), a wafer thin longitudinal section of the entire structure of a 200-hundred-year old oak, permanently inserted into the ceiling of the Natural History Museum. For Rivers (2012), installed in the landscape of Jupiter Artland outside Edinburgh, Kovats collected water from one hundred rivers around the British Isles, housing the collection in a specially constructed boathouse. A major solo exhibition at The Fruitmarket Gallery in Edinburgh, Oceans (2014), explored her preoccupation with the sea.

Kovats’ practice has seen her undertake residencies in the Galapagos Islands and the Astronomy Department at the University of Cambridge, travel to the Arctic as part of the Nowhereisland project and to points on the globe where seas meet, from New Zealand to northern Denmark, for her work Where Seas Meet. Tree (2009) resulted from six months exploring South America with her husband and son.

All the Sea (detail) 2014, Tania Kovats, The Fruitmarket Gallery, Edinburgh

All the Sea (detail) 2014, Tania Kovats, The Fruitmarket Gallery, Edinburgh

This year, her exhibition Evaporation (2016) at the Museum of Science and Industry in Manchester again focused on water. The exhibition was commissioned by Cape Farewell, the organisation which provides a cultural response to the issue of climate change. Evaporation also included All The Sea, previously shown at The Fruitmarket Gallery, Edinburgh; 365 bottles of water from the world’s seas, collected by Kovats in large part through an invitation to the public to help her to bring all the seas together in one place.

Tania Kovats will give a talk on her work and practice at Falmouth School of Art, 2 November 2016 at 5pm, Lecture Theatre 1, Falmouth Campus. Booking required, click here to register

 

 

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After completing her MA at the Royal College of Art in 1990, Tania Kovats (b.1966) won the Barclays Young Artist Award at the Serpentine Gallery in 1991. She has been the recipient of many awards such as the Henry Moore Drawing Fellowship (2004-5), Visiting Fellow at the School of Archaeology, Oxford University (2006) and the Cape Farewell Lovelock Art Commission (2015). She has been nominated for the Max Mara Art Prize for Women in collaboration with the Whitechapel Gallery: 6th Edition (2015-17) and completed a residency in the Astronomy Department at the University of Cambridge. Kovats has shown extensively in the UK and abroad, with solo shows including those at Fruitmarket Gallery, Edinburgh; Yorkshire Sculpture Park, Wakefield; Peer Arts, London, Newlyn Art Gallery, Cornwall and the Museum of Science & Industry in Manchester. Her work is held in numerous public and private collections including the Arts Council, The British Council, Government Art Collection and the V&A. She is represented by the Pippy Houldsworth Gallery.

AnOther interview with Tania Kovats, December 2015

 

Artist Ruth Ewan to talk at Falmouth School of Art

In association with CAST and The Cornwall Workshop, Falmouth School of Art welcomes artist Ruth Ewan as part of our Guest Speaker Programme on Wednesday 19 October, 6pm.

Installation shot from 'Back to the Fields’ Ruth Ewan - 2015 - Camden Arts Centre - photo by Haydar Dewachi

Installation shot from ‘Back to the Fields’ Ruth Ewan – 2015 – Camden Arts Centre – photo by Haydar Dewachi

Ruth Ewan’s work includes events, installation, writing and printed matter. Her practice explores overlooked histories of radical, political and utopian thought, bringing to light specific ideas in order to question how we might live today. Always engaging with others, Ewan’s projects involve a process of focused research and close collaboration –  recent projects have led her to develop context specific projects within schools, prisons, hospitals, libraries, universities, Parliament and London Underground.

Her audio project ‘The Darks’, a collaboration with Astrid Johnston for Tate Britain, invites visitors to navigate the area around Tate Britain where the infamous Millbank Prison once stood. She is exhibiting in the 32nd Bienal de Sao Paulo Incerteza Viva and will be leading The Cornwall Workshop organised by CAST (based in Helston, Cornwall) this month.

Ruth Ewan, image courtesy a-n.co.uk

Ruth Ewan, image courtesy a-n.co.uk

Matthew Slotover, co-founder and publisher of Frieze, and trustee of the Arts Foundation, presenting Ewan with the Art Foundation Art in Urban Space Award this year, said of her, “Through performances, sculptures and interactive works, Ruth Ewan mines social history in a playful and often humorous style. Her work is socially engaged without being didactic, often reminding us of truths we didn’t know we knew. She is one of the country’s most promising artists and a deserved winner of this award.”

A Jukebox of People Trying to Change the World. Ongoing archive started in 2003

A Jukebox of People Trying to Change the World. Ongoing archive started in 2003

 

Ewan has also been shortlisted for the 6th edition of the Max Mara Art Prize for Women. Exhibitions of Ruth’s work have been presented at Camden Arts Centre, London (2015); Collective Gallery,Edinburgh (with Astrid Johnston, 2013); Kunsthal Charlottenborg, Copenhagen, the Glasgow International and the Badischer Kunstverein, Karlsruhe (2012);Dundee Contemporary Arts and the Centro Andaluz de Arte Contemporáneo, Sevilla (2011); the ICA, London (2008); the Northern Gallery for Contemporary Art, Sunderland (2007) and Studio Voltaire, London (2006). She has realised projects in London for Parliament (2015), Vital Arts (2015), Create (2012), Art on the Underground (2011); Frieze Projects (2009) and Artangel (2007). Her work has also been included in survey exhibitions at the Museum of Modern Art, Warsaw and Tate Liverpool (2013) and the New Museum, New York (2009).

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